FOR THE LOVERS OF JEWELRY.
THE great Koh-i-noor diamond displayed in the English Exhibition, and shown by a model in the New York Crystal Palace, has a rival in one now deposited in the Bank of England by the consignees, Messrs. Dory & Benjamin, of London. It comes from Rio Janeiro, and weighs 254½ carats, of the purest water. When cut and polished, it is expected to surpass the Indian diamond in size and brilliancy. It has been shown to the queen, and is the subject of general remark in the English prints.
Ball & Black, of New York, have still in their window the celebrated necklace of pearls displayed at the Crystal Palace. It consists of a single string of pure pearls, threaded like the gold beads of our grandmothers, and about the same size. The cross attached is of diamonds, in a rich and tasteful setting. The pearls are of such unusual size and purity that at first it seems almost impossible that they can be real.
Necklaces are worn much more than they have been, for full dress especially. The most fashionable and costly style is of diamonds, and quite flat, either set in a pattern or a single row of brilliants. Ladies who cannot afford this costly appendage to their toilets adopt a very fine Venetian gold chain, to which is suspended a medallion of precious stones set with diamonds.
OUR FASHION DEPARTMENT.
WE do not often allude to what we have done or intend to do in this department, keeping the even tenor of our way, and letting our chitchat speak for itself. But of late we have noticed that other publications assume to have been the first to give detailed directions, in addition to the meagre description of the fashion plates at first offered to the public. Hailing as we do from the Quaker City, we shall "mildly remonstrate," and only assert that this is not the case.
The present fashion editor was the first to originate the monthly letter or record of the fleeting changes of the season, and since that time has been engaged in collecting, with more or less research and difficulty, from foreign journals des modes, the importer, the mantuamaker, and the milliner, such items as will be of practical or suggestive use, and setting these before our readers in a simple, reliable style, differing from the French raptures of the "Moniteur," or the meagre descriptions of American prints, where the fashions are a last consideration with the publisher—tacked on, because some one else had set the example. To us it seems as consistent with the scientific and professedly critical character they assume, as a lady's French bonnet would appear as the crowning-point of costume on "a potent, grave, and reverend seignior." But we have no quarrel with them for assuming our especial badge as a "Lady's Book," nor are we at all particular in demanding credit of them for our borrowed plumes; we would only suggest that modesty might be a becoming addition to them, and truthfulness an equal grace.