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Materials.—French muslin, with royal embroidery cotton, No. 30, and Moravian, No. 24.

This engraving is on a scale just half the size of the original pattern. It is so strong that it is peculiarly adapted for jupons, which are worn, generally, most elaborately trimmed. The edge, which consists of a single scallop, is considerably raised; the Moravian cotton is to be used for this purpose. The wheels are all worked round in button-hole stitch, over a tracing of three threads, a rosette being in the centre of each. Indeed, if the entire pattern be overcast, instead of being sewed in the usual way, it will contribute much to the durability as well as the appearance of the work.

BRODERIE ANGLAISE FOR FLOUNCING.

(See Blue Plate in front of Book.)

Material.—French embroidery cotton, No. 20.

This description of work, now so extremely fashionable for every description of dress, is usually done on fine jacconet muslin; and, to prepare the pattern, either of the following methods may be used: Place the muslin over the pattern, taking care to keep it even and tight; then, with a fine camel-hair brush, and a solution of indigo or powder blue, mixed with gum-water, copy the outline of the pattern, and, to continue it, take care, after one length of the design is drawn, to place the muslin so that the pattern joins correctly. The other method, which is useful for thicker material—take the design, and, with a fine penknife or scissors, cut out the blue parts of the pattern, place it over the material to be used, and trace it round the cut-out parts as above directed; pierce the small eyelet-hole with a stiletto. When the pattern is prepared, tack the muslin on a piece of oil-cloth (green is the best color to work on for all descriptions of embroidery); run twice round the outline of the pattern with the cotton used double, and join the open spaces, cut a small piece out of the centre of the rounds and ovals, and, with the single cotton, work the edges in overcast stitch—the cotton run round, and the edges cut, forming the foundation. In the parts between the ovals and rounds, when there is only a small division of muslin, the whole should be overcast so as to form one bar between the open spaces. Repeat the same for the ovals which form the scallop round the outer edge, the diamonds of twelve ovals, and the rounds which form the Vandykes. The remainder of the pattern is worked in the same manner; but, instead of the overcast stitch, the open spaces are to be sewn thickly over. A small portion only of the pattern should be cut out at a time; and, should the design be worked on a fine material, use cotton No. 24 or 30.

EMBROIDERED COLLAR.