“No: none of them are for sale; none of them; not one of them:” and he closed the door behind him.
Nivernois walked up to the picture, took it down from the nail, unscrewed the board behind it, and rolling up the canvass, put it under his arm and marched out of the room.
When he reached the street he saw a woman dressed in blue passing round the corner. From a glimpse which he had of her features he thought it was the picture-lady. He darted forward, but the street which she had turned into was vacant. There stood a large double house at the corner, and beyond it there was a garden wall of some length; he concluded that she must have gone into that house. He rushed in, and turning into the first door he came to, found himself in an elegant drawing-room in which there were a dozen persons paying morning visits.
“Humph! humph!” said he, as he scrutinized the face of every woman in the circle, and found that the object of his search was not among them. He took up a volume that lay on the table, it was lettered “Love.” He walked towards a grand piano which stood open, with a piece of music on the frame. The music was entitled “Love.”
“Love!” said he; “Love! wherever I go this morning, it is still love. I will give you my ideas of love.” He took off his hat, and laying down his roll in it, seated himself before the instrument.
He began with some sad and heavy strains which might express the joylessness of a breast which was a stranger to sympathy. The music was cheerless, monotonous, and full of startling discords. Presently there struck into this painful turbulence a light strain of delicious melody, like a sunbeam bursting into the primal chaos. It extended and gathered strength, and the disorder of the rest gradually subsided, and melted away to give place to it. Then there arose the most brilliant and enchanting notes that that instrument had ever given forth; a flood of varied rapture flowed out. It was the picture of a world of bliss; a world whose turf was of the choicest flowers,—whose breezes were airs from paradise,—whose sky knew not the color of a cloud.
The performer turned his head round and got a glimpse through the window of some one passing along the street.
“There she goes!” he exclaimed, and seizing his hat and roll, rushed out with the same vehemence that he had entered, leaving the company not a little astonished at the oddity of his behaviour.
When he got into the street, nothing was to be seen; “I must discover that woman,” said he; “what is life to me, if I cannot find her? All my happiness is garnered in her being; to enjoy my own soul, I must possess her: to live, I must live with her. By the bye, I must have done rather an absurd thing in going into that house and playing on the piano, without knowing any body. By Jove, I’ll go back and apologize. Ah! ha! there is Mrs. Althorpe going in; she will present me.”
When they got into the room, the company which had been there had gone, and the lady of the house was sitting alone. Mrs. Althorpe called her Mrs. Stanhope.