One thing is certainly very strange:—that Mr. Campbell did not think of looking at “the Coxe-Petrarchan MS.” in the first place—in the beginning of things—before “surrounding himself with as many books as he could obtain,” and especially before “applying himself assiduously to the study of Italian literature, which he had neglected for many years.” He would have saved himself much trouble, and the Archdeacon might have been spared some abuse.

What particularly surprises us in this volume—a large and handsomely printed octavo—is its slovenliness of style. Such a charge as this has never before been urged against the author of “Hohenlinden.” In general he is scrupulously correct. The Archdeacon seems to have bewildered his brains in unsettling his temper. What are we to make of such phraseology as this, occurring in the very second sentence of the work?—“It was known that the Rev. Archdeacon Coxe had bequeathed to the Library of the British Museum a MS. Life of the Poet which he had written.” Here “he” implies the Poet, but is intended to imply the Archdeacon. Such misconstructions are abundant. We observe, also, far more serious defects—defects of tone. These sentences, for instance, are in shockingly bad taste—“The most skilful physicians stood aghast at this disease, (the plague.) The charlatan rejoiced at it, unless it attacked himself, because it put quackery on a par with skill; and compassionate women assisted both physicians and quacks in doing no good to their patients ... This was a dance of the king of terrors over the earth, and a very rapid one.” Attempts at humor on such subjects are always exceedingly low.

Nor can the general handling of the theme of the book be said to be well done. The biographer has swallowed the philosopher. While we are sometimes interested in personal details, we more frequently regret the want of a comprehensive analysis of the poet’s character, and of the age in which he lived. The book has no doubt filled, in a certain unsatisfactory manner, a blank in our biographical literature—since the authorities referred to can scarcely be termed accessible—but, upon the whole, it is unworthy Thomas Campbell—still less is it worthy Petrarch. We cannot say with Crébillon—

—————un dessein si funeste,

S’il n’est digne d’Atrée, est digne de Thyeste.


The Idler in France. By the Countess of Blessington. Two Volumes. Philadelphia: Carey and Hart.

The Countess of Blessington has never risen in any of her literary attempts above the merit of an amusing gossiper; and “The Idler in France” is an excellent gossiping book, and no more. Still, this is saying a good deal for it as times go.

The work is made up of adventures, reminiscences, trumpery philosophy, criticism in a small way, scandal, and heterogeneous chit-chat—the whole interwoven, in the most random manner conceivable, into an account of a tour in France made many years ago by her ladyship. “Patch Work” is a title which would have exactly suited the volumes, and it is a pity that Captain Hall has anticipated it.

The anecdotes, et cetera, are by no means confined to France, but often relate to things in general, happening in no particular place. Throughout, there is much vivacity and no little amusement. Some of the scandal, if not nice, is exceedingly piquant, and many of the humorous points are really good.