But who thought then of tears—who ever dreamed of sorrow? The day had been passed happily—alas! how happily!—in innocent and pure festivity—the blythe dance on the velvet greensward, the joyous ramble amid the trelliced vines, the shadowy cypresses, the laurelled mazes of the garden; with lyre and lute and song, and rich peals of the mellow flute and melancholy horn blent with the livelier clashing of the cymbals, waking at intervals the far and slumbering echoes of the dark wilderness beyond the Danube. Oh! had they but known what ears were listening to their mirthful music, what eyes were gloating with the fierce lust of barbarous anticipation on their fair forms and radiant faces, what hearts were panting amid the dense and tangled forests for the approaching nightfall—how would their careless mirth have been converted into despair and dread and anguish, their languishing and graceful gait into precipitate and breathless flight—those blythe light hearted beings!

The sun set glowing in the west—glowing with the bright promise of a lovely morrow—and many an eye dwelt on his waning glories, and drew bright augeries from the rich flood of lustre, which streamed in hues of varying rose and gold up to the purpled zenith; while on the opposite verge of heaven, the full orbed moon had hung already her broad shield of virgin silver, with Lucifer the star of love kindling his diamond lamp beside her.

“Farewell, great sun—and blessings be upon thy course”—whispered Aurelius to his lovely bride, as hanging fondly on his arm, she watched from the Ionic porticoes of spotless Parian marble, the last sun of her maiden days—“that thou hast set so calm and bright, and with such promise of a glorious future—Hail, Julia, Hail with me the happy omen!”

“To-morrow”—she replied in tones of eloquent music, half blushing as she spoke even at the intensity of her own feelings—“To-morrow, my Aurelius, I shall be thine, all thine!”—

“And art thou not all mine, even now, beloved—By the bright heavens above us—for long—long years!—my heart with all its hopes and fears and aspirations, my life with its whole crime and purpose—my soul with its very essence and existence have been thine—all! all thine—my Julia—and art not thou mine, now!—why what save death should sever us?—”

“Talk not of death!”—she answered with a slight shiver running through all her frame—“Talk not of death, Aurelius—I feel even now as if his icy breath was blowing on my spirit, his dim and awful shadow reflecting darkness on my every thought—dost thou believe, Aurelius, that passing shades like these, which will at times sadden and chill the soul, are true presentiments of coming evil?”

“That do I not—sweet love”—he answered—“that do I not believe; when by chance or some strain of highly wrought and thrilling sentiment the heart-strings of us mortals are attuned too high beyond their wont, like harp chords, they will harmonize to any sound or sentiment that accords to their own spirit pitch; and, neither sad nor joyous in themselves, will respond readily to either grief or sorrow: that, feeling no cause for mirth or gloom, we fancy them prophetic feelings, when they are but reflected tones, and so disquiet ourselves often with a vain shadow!”

“Well,”—she replied, still sadly—“I wish it may be so, as I suppose it is. Yet—yet—I would it were to-morrow!”

“Come, come! I must not have thee thus sad on an eve like this, my Julia—lo! they have lighted up the hall—and the banquet is spread, and the wine poured—the queen of the feast must not be absent!”

And shaking off the gloom which had, she knew not why, oppressed her, she turned with one long lingering last glance to the sun as he disappeared behind the dark tree tops which seemed to swallow him up in an unnatural gloom, and entered the vast hall which, hung with tapestries of silk and gold, and garlanded with wreaths of choice flowers, and reeking with unnumbered perfumes, lighted with lamps of gold pouring their soft illumination over the gorgeous boards, shewed like a very palace of the senses.