or, at page 165, by

The storm is on the sea—I hear its wings

In thunder fretting o’er the lifted wave (?)

This is surely a most singular instance of metaphor run mad! Here are three conflicting images at one time in the brain of the poet. By the word “wings” the reader is made to understand the prosopopeia of the storm as a bird; by “thunder” (a natural accompaniment of tempests) he is brought back to the impersonified storm; by “fretting” he is left in no doubt that the writer’s ideas are running upon a horse—and all this in the compass of one line and a half!

The “Stanzas” by Park Benjamin have a rich simplicity which of all literary qualities is the most difficult of attainment, and of all merits the most uncertain of appreciation; but we are sorry to say that they are the only good verses in the volume.

The engravings are very fine. We will speak of them briefly one by one.

The “Country Girl,” by Cheney from Sully, is a truthful picture. The design is perfect. The only fault of the execution lies in the undue breadth of the face; this defect would be remedied by deepening the shade beneath the left ear. The work of the engraver is well done.

“Vignette Head,” by Cheney from Sully—one of the latter’s favorite heads—the face that of a pouting hoyden. The hair is beautifully massed. The vignetting is carried too low as regards the bosom, from which half an inch should be taken off at bottom, or otherwise some lines of shading introduced to relieve it of its blank appearance. The arm is execrable—the hand worse—both are too massive and sinewy.

“Dulcinea,” by Cheney from Leslie. No fault can be found with this picture, which is admirable in every respect. The right arm, in especial, is exquisitely rounded and foreshortened.

“The Tough Story” by J. J. Pease, from W. S. Mount. Mr. Mount’s merits are those of acute observation and fidelity. These merits, although not of the highest order, have the advantage of being universally appreciable. This is an advantage which he secures—clinches—by dealing only in homely subjects. If he has ideality (a question which as yet we have had no means of deciding) and would employ his peculiar talents upon loftier themes, he might attain a very desirable eminence indeed.