The penmanship of Miss Sedgwick is excellent. The characters are well sized, distinct, elegantly but not ostentatiously formed, and with perfect freedom of manner, are still sufficiently feminine. The hair-strokes differ little from the downward ones, and the MSS. have thus a uniformity they might not otherwise have. The paper she generally uses is good, blue, and machine-ruled. Miss Sedgwick’s hand-writing points unequivocally to the traits of her literary style—which are strong common sense, and a masculine disdain of mere ornament. The signature conveys the general chirography.

Mr. Cooper’s MS. is very bad—unformed, with little of distinctive character about it, and varying greatly in different epistles. In most of those before us a steel pen has been employed, the lines are crooked, and the whole chirography has a constrained and school-boyish air. The paper is fine, and of a bluish tint. A wafer is always used. Without appearing ill-natured, we could scarcely draw any inferences from such a MS. Mr. Cooper has seen many vicissitudes, and it is probable that he has not always written thus. Whatever are his faults, his genius cannot be doubted.

Dr. Hawks is one of the originators of the “New York Review,” to which journal he has furnished many articles. He is also known as the author of the “History of the Episcopal Church of Virginia,” and one or two minor works. He now edits the “Church Record.” His style, both as a writer and as a preacher, is characterized rather by a perfect fluency than by any more lofty quality, and this trait is strikingly indicated in his chirography, of which the signature is a fair specimen.

This gentleman is the author of “Cromwell,” “The Brothers,” “Ringwood the Rover,” and some other minor productions. He at one time edited the “American Monthly Magazine,” in connection with Mr. Hoffman. In his compositions for the Magazines, Mr. Herbert is in the habit of doing both them and himself gross injustice, by neglect and hurry. His longer works evince much ability, although he is rarely entitled to be called original. His MS. is exceedingly neat, clear, and forcible; the signature affording a just idea of it. It resembles that of Mr. Kennedy very nearly; but has more slope and uniformity, with, of course, less spirit, and less of the picturesque. He who writes as Mr. Herbert, will be found always to depend chiefly upon his merits of style for a literary reputation, and will not be unapt to fall into a pompous grandiloquence. The author of “Cromwell” is sometimes wofully turgid.

Mrs. Esling, formerly Miss Waterman, has attracted much attention, of late years, by the tenderness and melody of her short poems. She deserves nearly all the commendation which she has received. Her MS. would generally be considered beautiful; but formed, like that of most of her sex, upon a regular school-model, it is, of course, not in the slightest degree indicative of character.