And the gloss of thy pinions forever play

In the glorious beams of eternal day.


THE IDEAL.

GERMAN LITERATURE, AND A LOVE STORY.

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BY C. G. FOSTER.

———

I perceive with regret that it has of late become fashionable among the critics and mediocre authors, on both sides of the water, to decry German literature. Having rifled the gems—and bright and precious are they—the casket is now to be kicked aside as useless lumber. Even Blackwood—so long an oracle almost of the literary world—even Kit North himself, than whom a better man or truer poet never existed—has turned cynic and snarler in his old age, and after having marched side by side with Scott, Göethe, Byron, Coleridge, Schiller, Schlegel, and Shelley, through the brightest era of literature that has dawned and blazed upon the world since Johnson, has at last sunk to the level of a literary parvenu, and laughs at German literature! He should not have done it! I tell you, Christopher, that the inspiration of a century was concentrated in a few mighty brains, which, within the last century, have returned to dust. For another hundred years to come, human intellect will seldom rise above the mere practical concerns of life—railroads, manufactures, and machinery. Practical science and natural philosophy will progress; but not that sublime and immediate gift of God, the embodying of the Ideal Perfect. The old world is exhausted. Greece, and her mouldering monuments of classic beauty—Rome, and her magnificent mementos of the shadowy past—Spain with her high romance, and Asia with her gorgeous grandeur—who will venture again to explore? Chateaubriand, Byron, De Stäel, Moore, Rogers—are not such names barriers to frighten all aspirants? No—not till America—the new world—becomes rich and settles herself down in quiet grandeur—not till her thousand mountains, her mighty lakes, her stupendous cataracts, and her boundless prairies, become invested with the magic of intellectual association—not until history begins to lose itself in dreamy and indistinct fable, to cast a vague interest over every charmed spot—will the bright-winged Ideal rouse from her sleeping nest. She shrinks from every thing practical, palpable, and common-place, as the rainbow loses its hues as it approaches the earth.

Let us then cherish and protect the thoughts and aspirations which these mighty minds have bequeathed us. Never did I think to find Wilson depreciating German literature. He is old, and should almost fear that posterity will retort upon him! A remnant of the old worshippers of the Ideal yet remain, haunting the ploughed fields of modern improvement, like the scattered and timid deer which are sometimes seen bounding along the margin of civilization. Like the White Lady of Avenel, they are year by year fading away—the golden zone which binds their misty drapery is becoming smaller and smaller—the clack of the useful mill, or the clashing of machinery, drowns their voices at their favorite fountains; and they are forced to shut up the beautiful visions which haunt their breasts, in the deep sources of emotion which glow and bubble in silence.