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WHAT DANDIES DO.
Fops differ from scare-crows in this particular—the latter guard the young blades of green things by the appearance of their apparel alone; but dandies are themselves young blades and green things, and are not stationary effigies, but moving frights. They are not stuffed figures which stand still, but empty semblances which perigrinate. They are defective verbs, which “do” and “suffer,” it is true, but are only used in certain moods and tenses: to wit, the indicative mood, and imperfect tense—indicating that such things are, and are not worth much. This etymological fact establishes that dandies do something, and having settled into that conviction, it becomes necessary to inquire with great gravity, what do they do?
It will not require an overwhelming quantum of credulity to lead the reader to a belief that nothing of much importance has ever been done by an exquisite. He neither adds to the character or the utility of society. He aids not in commerce or manufactures—except, perhaps, as a buyer of coats and kid gloves—being, as to those things, a consumer, whether profitably so or not to the artist in cloth and professor of gloving, a narrow inspection of their ledgers will only answer satisfactorily. He is not what political economists call a producer, unless the labor he bestows upon cultivating his moustache, may entitle him to a place among the “sons of toil.” He adds nothing to the general wealth; although he extravagantly expends the money which he borrowed from a rich friend, or that which his kind grandfather, the tavern-keeper, bequeathed him when he left off selling common brandy, and went to “a world of pure spirits.” Except to “point a moral, or adorn a tale,” the fop is therefore not useful. He is, like vice,
——A monster of such hideous mien,
That to be hated needs but to be seen;
but we trust that the further remarks of the poet, in regard to familiarity of face, will not apply to the dandy, though many of that tribe who saunter along Chestnut street have faces extremely familiar. If a herd of bucks were interrogated as to their own opinions of their positions in society, it is probable that they would assign themselves to the ornamental department. But on that subject a very lively debate might be held, and if it were at length decided that they were decorations to the “solidarity of the peoples,” their relative situation would be like gold leaf on gingerbread; extremely gaudy, to be sure, but very unwholesome to swallow. They are ugly ornaments, like odd figures upon Indian temples, serving no purpose but to mislead the veneration of those who ignorantly worship at the shrine. They are like copper rings in Choctaw noses, ungraceful extras upon the face of nature, and of no intrinsic value. There can only be one point of view in which a buck may be looked at in a useful light, and that is as an object to be laughed at.
In a late number of Graham we devoted some space to an elucidation of the question, “How are dandies made?” and having said sufficient upon that topic, we pass to a notice of their doings. A prompt and significant period might be put to these lucubrations, by the averment that dandies do “an infinite deal of nothing,” but that would not be literally true, for although their actions are of no public importance, still those who write their biographies will be compelled to admit that they do something. Ease is but a word which signifies a comparative release from labor; idleness is but the definition of a state of unprofitable action. Those who have nothing to do cannot exist without doing something; and he who has much time on his hands is compelled to employ it in some pursuit to escape from the horror of positive ennui. Therefore, even dandies, those cob-webs of society, catch flies when the unwary insects come into the meshes of their webs, and at times put themselves to great inconvenience and fatigue, whilst enjoying the felicity of their otium cum dignitate.
But how does the exquisite spend his hours? It may be safely asserted that midnight very often passes before he seeks his bed, after the fatigues of the day and night—and that the sun has mounted high in the meridian before he awakes from slumbers which are not refreshing.