The mention of brass which occurs in ancient writers must often be understood as meaning copper, either in its pure state or alloyed with tin, rather than the metallic compound with which we are familiar. It is stated that the chief sources of the wealth of the Pharaohs were the mines of the neighboring countries of Nubia and Ethiopia, which were abundantly productive of copper.
The mirrors which were in possession of the Israelitish women when they left Egypt are said to have been of brass, for the laver and the foot of it were made of that metal. Such were all the mirrors made in ancient times. Many metallic mirrors may be observed in our collections of Egyptian antiquities. They are nearly round, but varied in form, according to the taste of the artisan, and are inserted in handles of wood, stone, or metal. Their substance is chiefly copper, but mixed with other metals, most carefully wrought and highly polished. In the Egyptian Museum at Paris, there are several mirrors of a metal which looks like brass.
David provided an immense quantity of copper for the use of the Temple. Of this substance all sorts of vessels were made for the Temple, as they had been for the Tabernacle; and to these may be added weapons, more especially helmets, armor, shields, and spears. Hiram of Tyre was celebrated as a worker in brass. The larger vessels, and the pillars for architectural ornaments, were moulded in foundries; but it appears that this art, even in the time of Solomon, was little known among the Jews, and was peculiar to foreigners, particularly the Phœnicians.
Mines of copper occur in the mountains of Kourdistan, which appear to have been worked from remote antiquity. They formed the chief source from which copper, iron, and lead were obtained by the ancient Assyrians. A disused copper-mine, nearly blocked up with earth and rubbish, and only known to a few mountaineers, was visited by Mr. Layard. He found the metal in various states. Inscriptions on copper, various utensils, and figures of lions in solid metal, have been exhumed from the ruins of Nineveh. Tools, daggers, arrow-heads and armor, were formed from the ore, as was commonly the case among Asiatic nations, while the metal in powder was used to color the bricks and ornaments in the Assyrian palaces.
The general style of building in the East, with which our modern travelers are so familiar, accords with that which is traceable to the remotest ages. Fronting the street, which is usually narrow, as providing a better defense from the sun, and sometimes with a range of shops on one or both sides, dead walls appear, here and there only broken by a window, to which a grotesque frame of lattice-work serves as a guard. The house is entered by a porch or gateway, which conducts into a quadrangular court paved with stone or marble, and is generally surrounded by a cloister; over which, when the house has a number of stories, a gallery, having a balustrade, or else a piece of carved or latticed work, is erected of the same dimensions as the cloister. The apartments are approached by doors from the quadrangular court. When houses are built close together, the staircase is placed in the porch, or at the entrance into the court, and continued through one corner of the gallery or another to the top of the house; but when the houses are not contiguous, the staircase appears to have been conducted along the outside of the building. The roof is always flat; it is often composed of branches of wood laid across rude beams, and is covered with a strong plaster of terrace, to defend it from injury in the rainy season. It is surrounded by a parapet or a wall breast high, serving as a protection to those who go on the roof for various purposes, and also as a means of separation from the adjacent houses. Such a battlement was expressly required by the law of Moses, intimating probably, that terraced houses were at that time less common in Syria than they were in Egypt.
In the survey of ancient buildings, the use of immense masses of stone cannot fail to be observed. It appears from recent discoveries that they were cut from the quarries by a number of metal wedges, placed in a line, and struck simultaneously with a wooden mallet; or that a mass was split by wedges of highly-dried wood saturated with water, and thus acquiring a great expansive force. They were sometimes hewn, either roughly or with greater care. They were raised aloft by means still employed in India, as mounds, or inclined planes, or others equally simple. In all the remains of ancient Egypt we have no trace of any machinery being employed in building; a fact not a little remarkable when we consider how vast and stupendous were many of its edifices.
In the language of the Hebrews, the name of a garden was given to every place where plants and trees were cultivated with greater care than in the open field. Such inclosures are generally defended, as they have been for ages, by loose stones, a wall, or a hedge formed of the wild pomegranate tree, or of thorns mingled with rose-bushes, adorned in their season with their lovely flowers, and giving forth their delightful fragrance. Within, however, but little design or beauty is apparent, the whole commonly presenting only a confused medley of fruit-trees, with beds of esculent plants, having even plots of wheat and barley sometimes interspersed. Solomon could say, “I made me gardens and orchards, and I planted trees in them of all kinds of fruits;” but then he had not only an unusual knowledge of the vegetable tribes, but also vast resources as a sovereign. And travelers still tell us of the supposed remains of the works he constructed, when he said, “I made me pools of water, to water therewith the wood that bringeth forth trees.”
Particular attention appears to have been bestowed on the culture of the vine by the Israelites and other Oriental people. The site for this purpose was carefully selected in fields of a loose, crumbling soil, on a rich plain, on a sloping hill, or where the acclivity was very steep, or on terraces supported by masonry; the whole being inclosed by a wall. How luxuriant was the produce of Palestine is evident from the fact, that on the return of the spies they passed through the valley of Eshcol, where they were so much struck by the size and beauty of the vines, that they broke off a branch to take with them to the camp, and to prevent the attached and rich clusters from being bruised, bore it between two on a staff. That the vine was cultured in Egypt, and that the juice of the grape was expressed from its clusters, is apparent, not only from Scripture, but the paintings and sculptures of that country, in which are often and strikingly depicted the vineyards and vine-arbors, the gathering of the grapes, and the treading of the wine-press.
On the construction of military machines we do not enter; we dwell rather on the arts of peace. Music, to which allusion has been made, in connection with pastoral life, has, however, in all ages furnished a powerful stimulus to men when engaged either in assault or defense. The ancient inhabitants of Etruria used the trumpet for this purpose; the Arcadians, the whistle; the Sicilians, the pectida; the Cretians, the harp; the Lacedemonians, the pipe; the Thracians, the cornet; the Egyptians, the drum; and the Arabians, the cymbal.
The transmission of persons and goods on the surface of the water would appear to be desirable in a very remote age. How the idea of doing so arose we know not. It is, however, certain that man did not