The tale, as regards the fortunes of the two principal actors, the hapless Aletheia and the noble-minded Richard Sydney, is almost too painfully interesting to be pleasurable reading. The circumstances out of which this powerful romance is formed, probably never did exist, and therefore some readers might consider them unnatural. I am not, however, prepared so to regard them, since such circumstances might readily arise from the natural causes to which they are assigned, and, if arising, might and indeed probably would produce consequences not unlike those deduced by the genius of the author.
The terribly fierce passions of Sir Michael and the Lady Randolph are less easily reconciled, not to Nature—for Nature has exhibited far stronger and more terrible displays of fierce and morbid love distorted into fiercer and more monstrous hatred—but to the routine of daily probabilities, and to the tenor of social life in these days, when the formalities and decencies of society render the display of such feelings, in their extremity, wholly impossible.
Still, so skilfully are the sterner and darker portions of the tale contrasted and relieved by the soft graces and pure gentleness of other characters, such as the sweet Lilias and the high-minded Walter, that there is nothing morbid or repulsive in the pervading gloom which is the general characteristic of the novel, and that the impression left upon the mind at the conclusion is agreeable, rather than the reverse; while the reader feels, on reaching the last page, that he has not been merely entertained, but in some degree edified, by the perusal of a work, affecting nothing less than to preach, and pretending neither to the inculcation of a set moral, nor to the propagation of a creed.
The following passage, one of the finest descriptive passages in the book, will give you an admirable specimen of the forcible style, and thrilling interest, which is conspicuous in every line, and engrafted in every chapter of this singular work.
Lilias Randolph has been suddenly summoned from the humble home in which she has passed her childhood and the first spring time of her youth, under the care of an aged grandsire, among the green hills of Connaught, to visit the proud halls of Randolph Abbey, in order there to become acquainted with her uncle, Sir Michael. For in his old age, prescient of his approaching death, the wealthy baronet has collected his connections around him, that he may study, during the familiar intercourse afforded by a six months’ visit, the character of each; and so decide to which of the four—for so many they prove to be in number, all the orphan children of his brethren, and therefore cousins german—as the worthiest, he shall bequeath his broad domains and more than princely inheritance.
The four are Lilias, Walter, Gabriel, and last in place, but first in interest, Aletheia—a creation of real genius—who is thus introduced to the reader.
“‘This is not all,’ said Sir Michael, who had watched the scene; he turned to Lady Randolph—‘Will she come?’
“His wife made no answer, but walked toward a small door which seemed to open into some inner apartment: she opened it, pronounced the name of ‘Aletheia,’ and returned to her place. There was a pause. Lilias had heard no sound of steps, but suddenly Walter and Gabriel moved aside, she looked up, and Sir Michael himself placing a hand within hers, said—‘This is your cousin, Aletheia; her father, my third brother, died only last year.’ The hand she held sent a chill through Lilias’ whole frame, for it was cold as marble, and when she fixed her eyes on the face that bent over her, a feeling of awe and distress, for which she could not account, seemed to take possession of her.
“It was not a beautiful countenance, far from it, yet most remarkable; the features were fixed and still as a statue, rigid, with a calm so passionless, that one might have thought the very soul had fled from that form, the more so as the whole of the marble face was overspread with the most extraordinary paleness. There was not a tinge of color in the cheek, scarce even on the lips, and the dead white of the forehead contrasted quite unnaturally with the line of hair, which was of a soft brown, and gathered simply round the head; it was as though some intense and awful thought lay so heavy at her heart that it had curdled the very blood within it, and drawn it away from the veins that it might be traced distinctly under the pure skin. It was singular that the immovable stillness of that face whispered no thought of soothing rest, for it was a stillness as of death—a death to natural joys and feelings; and mournfully from under their heavy lids, the eyes looked out with a deep, earnest gaze, which seemed to ignore all existing sights and things, and to be fixed on vacancy alone. Aletheia wore a dress of some dark material, clasped round the throat, and falling in heavy folds from the braid which confined it at the waist; she stood motionless, holding the little warm hand that Sir Michael had placed in hers, without seeming almost to perceive the girlish form that stood before her. There could not have been a greater contrast than between that pale statue and the bright, glowing Lilias, the play of whose features, ever smiling or blushing, was fitful as waters sparkling beneath the sunbeam.
“‘Do you not welcome your cousin, Aletheia?’ said Sir Michael, with a frown. She started fearfully, as if she had been roused by a blow, from the state in which she was absorbed. She looked down at Lilias, who felt as if the deeply mournful eyes sent a chill to her very soul. Then the mouth relaxed to an expression of indescribable sweetness, which gave, for one second, a touching beauty to the rigid face; a few words, gentle, but without the slightest warmth, passed from her pale lips. Then they closed, as if in deep weariness. She let fall the hand of Lilias, and glided back to a seat within the shadow of the wall, where she remained, leaning her head on the cushions, as though in a death-like swoon. Lilias looked inquiringly at her aunt, almost fearing her new-found cousin might be ill. But Lady Randolph merely answered, ‘It is always so,’ and no further notice was taken of her.