THE USEFUL ARTS IN OTHER NATIONS AND TIMES.

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BY CHARLES WILLIAMS.

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For several centuries after the irruption of the Barbarians and the fall of Rome, there are scarce any visible traces of the existence of those manufactures which attained so high a development in the old world. This remark, of course, applies merely to Europe, for arts and refinement still continued uninjured in the Eastern empire; and thence, on the revival of Italian commerce, the knowledge of many inventions and useful arts flowed westward. In the ninth century, the inhabitants of the cities in Italy began to rebuild their ancient walls; and the security conferred by fortified towns, together with the union of their citizens for mutual defense, soon caused a decided advance in the useful arts. Their progress was necessarily slow, in consequence of many disturbing political and social evils. We will give a few examples from an ancient historian [^[11]] cited by Muratori, to show the condition of the most civilized country of Europe in the former half of the thirteenth century.

He mentions the barbarous dress that still prevailed—that a man and his wife ate from the same plate—that one cup sufficed for the use of a whole family—that gold or silver were rarely or never seen for ornament in dress—that war was still the glory of the men. But the more refined ecclesiastics even then contrived to gather luxuries around them, brought by reviving commerce from the East. And that at this age considerable display could be made on grand occasions, will be well shown by the account given of the French soldiers and the procession on the entry of Beatrice into Naples, A. D. 1266. The writer above quoted says, that “all of them were tastefully dressed, and wore beautiful plumes, while their chiefs were notably adorned with large golden collars; and the carriage of the queen covered with silken velvet, dyed sky-blue, and sprinkled with golden lilies.” Carriages, says the authority cited, were very rare. The “many ladies of rank, glittering with precious robes, and sitting on their richly caparisoned, ambling palfreys,” complete the view of a characteristic scene of the times. It is impossible to read such descriptions without feeling in its full force the statement of Hallam, that the revival of commerce and arts must be dated much earlier than the thirteenth century.

One of the earliest movements in this revival is to be seen in the woolen manufactures of Flanders, which were so flourishing in the thirteenth century, that a contemporary writer asserts “that all the world was clothed with English wool wrought in Flanders.” Brabant and Hainault were also the seat of the same manufacture; and the fabrics woven in the factories of the Netherlands were, doubtless, extensively diffused. We need scarcely observe, that the attainment of this perfection mast have been a work of some time.