“You see,” said the portress, “you would not have been obliged to wait so long for the keys but for this: we used, till three days ago, to keep them here, but since that event they are sent up to the governor’s house, and my husband, the guide, who shows you over the dungeons, is obliged to go and get them—but he will soon be back.”
“Do they keep prisoners in the dungeons now-a-days?” I asked.
I was told that the escaped culprit, who had robbed a hen-roost, had been put in a room above the dungeons—of which there are three stories beneath the ground level—and had contrived to hook up a plank, by which means he descended, with intent to rise the easier, having swung himself down till he could jump across a certain black abyss, which we afterward shuddered to see, and gain a broken stair-case where a door led to a corridor conducting to the outer court. With an iron nail he had displaced a huge stone in the steps, had crept through that, displaced a second in the same way, and thus arrived at the passage. Here he hid himself in a dark corner on the chance of the jailor-guide coming that way with visitors before long. As it happened, that event occurred, and the jailor was just preparing to light the candle which serves to illumine the gloom, having left the outer door open till the process was accomplished, when the ready adventurer lept from his hiding-place, overturned the guide, and amidst the screams and cries of the affrighted visitors, rushed out, with them, pell-mell into the outer world. As his blouse was the same costume as that worn by many of the affrighted strangers—for all ranks make the dungeons a lion—he passed unnoticed in the crowd, and excited no surprise as he “ran violently down the steep hill” with the rest and got fairly off. I could not regret that so ingenious and fearless a personage had baffled the vigilance of the guardians of Loches, but I felt a little nervous at the chance of a similar adventure occurring as we began our exploring expedition in the same quarter. I was assured, however, that there was no chance of such a thing, all the prisoners now detained, to the number of four, being at that moment smoking their pipes in a pleasant, sunny little court which we had to cross before we reached the low door which gave entrance to the dungeons.
There was nothing formidable in the aspect of these worthies, whose crimes were not of a deeper die than that of having got drunk and committed damage to the citizens in their cups; and we passed amongst them, returning the salutes they made with their night-caps, quite without alarm.
In the great court before this enormous and sinister-looking tower, one of the most splendid and the most worthless of the ancient governors of Loches paused before he entered, attended by three hundred gentlemen of high family, all probably “as wicked as himself,” and all bent on turning the good fortune of their friend and patron to the best account. This governor was the famous favorite of the infamous Henry the Third of France, the gorgeous Duke d’Epernon, and during the time he passed in these walls, the gold of the kingdom was no more spared by him than by his master. But a change arrived—two reigns had intervened—and a second time he visited these walls, more as a prisoner than a prince; he was then a gray-headed, gloomy, morose, miserable man, deserted by all the former companions of his profligacy whom the axe and the sword had spared, and here he came to hide himself from a court which his vices had disgraced.
Marie de Medicis, the prisoner of her son at Blois, also arrived here, in night and silence, escaped from her captivity, and entreated shelter of the old favorite, who had been suspected of knowing more than was honest of the murder of her husband, Henry the Fourth.
It is a strange reflection, and one that might well intrude while one stands before the door of the great tower of Loches, waiting till its rusty key turns in the lock, how unequal is the fate of those who have acted remarkable parts in the drama of the world. In spite of the mutations of fortune, mortification, neglect, disgrace or discontent, in spite of the overthrow of ambition, the wreck of hope, the struggles and turmoils, that d’Epernon had gone through, he could not get rid of the burden of life till the age of eighty-eight, when he died in the Castle of Loches, unregretted, and at once forgotten.
A story is told relating to him, which proves that men are not to be frightened by tyranny and power out of their natural wit and sarcasm. While this favorite of the contemptible king was in the enjoyment of his greatest favor, the public criers were accustomed to carry about a huge book, which they announced as “The high acts and deeds of valor and virtue of the most noble Duke d’Epernon.” These books, eagerly purchased, were found to contain blank paper. I fear that these historical recollections did not occur to Achille as he descended the rugged steps, green, and slimy, and steep, which led, from stage to stage, to the hideous dark holes in which these heroes of middle-age romance were accustomed to place their vassals or equals, as the case might be, when once in the power of their vengeance. Our guide, the jailor, was a good deal interrupted in his customary story of the place by indignation at the devastation committed on his steps and apartments by the late fugitive. Not attempting to smother the indignation awakened in his bosom, as he reviewed the ruin caused by the nail of the man of expedients, he mixed up his historical records with allusions to the damage in something like the following terms:
“Here you see the dungeon where the great monarch Louis the Eleventh (confound his impudence!) confined his minister Cardinal Balue in an iron cage—(I wish there was one here now and Jacques le Pochard was in it!) This is the place where the Grand Duke Sforza was lodged, and you may see where he painted the walls all round to amuse himself—here, where the flame of my candle touches the roof—(it’ll take me a whole day to mend the bottom of that door—the villain!) This is the dungeon where criminals were fastened to that iron bar in the middle of the chamber, and were only able to move from one end to the other by slipping a link of their chain along—mind the step! it leads through the dark passage to the next flight. (I had no idea the rascal had done so much harm to my steps! if ever I catch him again, I’ll flay him!—the brigand!)”
Nothing could equal the delight of my blind friend, at finding that he could touch the damp roofs of these horrible boudoirs for the favorites of princes with his hand, and that he could make out the patterns sketched by the unlucky Duke of Milan on the walls of the chamber with three rows of bars to the window, through which the duke found light enough to pursue his passion for art.