For aye unsought-for slept among his ashes cold.”

Who, after that, will say that Keats was not a genius? But “Hyperion,” though less complete than this poem, evinces—let me tell you—even more of the “mens divinior.” “The Eve of St. Agnes” is warm, voluptuous, luxuriant, yet pure as a quiet pool with silver sand below—but “Hyperion” is bold, impassioned and colossal, Miltonic even in its grandeur, overpowering at times as a thunder-storm among the mountains. Would God that Keats had lived to finish it! With many faults, it evinces more genius than any poem since written in our language. Hear the speeches of the Titans!—read the description of Apollo!—drink in the intoxication of its less sublime but more beautiful passages! It often exhibits a redundant fancy—the style is at times affected, and the choice of words bad—the execution is careless, though less so than that of Endymion—and, above all, the plan of the poem, so far as it has been developed, bears an unhappy resemblance to Milton’s Paradise Lost. Yet it displays such extraordinary genius, that we will never forgive the Quarterly for having disheartened Keats from the completion of this poem. Ah! sir, what has the world lost?

I repeat it, I am an Epicurean. Fame!—immortality!—what are they? We wear out our lives for a bauble, and coin our souls away to purchase dross. We dig our own graves and call it GLORY. Away with such sophistry! Go over the melancholy list of unfortunate genius—White, Collins, Keats, Chatterton and the rest—and tell me what they reaped except thorns! Ah! sir, it melts my heart with pity—I must take a glass on it. But, I declare, the bottle’s out, and—by my halidome!—here is Oliver asleep.

J. S.


THE AFFAIR AT TATTLETOWN.

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BY EPES SARGEANT.

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It is very questionable whether the reader has ever heard a true and impartial account of the affair at Tattletown. So many exaggerated versions have been put forth—so many garbled and malicious reports in regard to it, have been propagated—that the world is likely to be either unduly prejudiced against one of the parties, or wholly in doubt as to the merits of both. It is with an emotion of pride, that I take up my pen with the consciousness of being able to throw light upon this interesting, but mysterious subject.