Now, is it not very singular that, with the rabid thirst for notoriety which distinguishes so many of mankind—so many, too, who care not a fig what is thought of them after death, there should not be found one man having sufficient hardihood to write this little book? To write, I say. There are ten thousand men who, if the book were once written, would laugh at the notion of being disturbed by its publication during their life, and who could not even conceive why they should object to its being published after their death. But to write it—there is the rub. No man dare write it. No man ever will dare write it. No man could write it, even if he dared. The paper would shrivel and blaze at every touch of the fiery pen.


For all the rhetorician's rules
Teach nothing but to name the tools.—Hudibras.

What these oft-quoted lines go to show is, that a falsity in verse will travel faster and endure longer than a falsity in prose. The man who would sneer or stare at a silly proposition nakedly put, will admit that "there is a good deal in that" when "that" is the point of an epigram shot into the ear. The rhetorician's rules—if they are rules—teach him not only to name his tools, but to use his tools, the capacity of his tools—their extent—their limit; and from an examination of the nature of the tools—(an examination forced on him by their constant presence)—force him, also, into scrutiny and comprehension of the material on which the tools are employed, and thus, finally, suggest and give birth to new material for new tools.


Among his eidola of the den, the tribe, the forum, the theatre, etc., Bacon might well have placed the great eidolon of the parlor (or of the wit, as I have termed it in one of the previous Marginalia)—the idol whose worship blinds man to truth by dazzling him with the apposite. But what title could have been invented for that idol which has propagated, perhaps, more of gross error than all combined?—the one, I mean, which demands from its votaries that they reciprocate cause and effect—reason in a circle—lift themselves from the ground by pulling up their pantaloons—and carry themselves on their own heads, in hand-baskets, from Beersheba to Dan.

All—absolutely all the argumentation which I have seen on the nature of the soul, or of the Deity, seems to me nothing but worship of this unnameable idol. Pour savoir ce qu'est Dieu, says Bielfeld, although nobody listens to the solemn truth, il faut être Dieu même—and to reason about the reason is of all things the most unreasonable. At least, he alone is fit to discuss the topic who perceives at a glance the insanity of its discussion.


THE PENANCE OF ROLAND.