We argued, but in vain; at length her mother laughingly cried out—"Nonsense, Effie, no one would sooner resent neglect from a lover than yourself. True love, as you call it, would never make such a spiritless, meek creature out of the material of which you are composed."
"Yes, in truth," I added, as I saw our pretty enthusiast, half vexed, shake her head obstinately at her mother's prophecy—"I can see those soft eyes of yours, Effie, darling, flash most eloquent fire, should your true love meet with unworthiness."
During our conversation the clouds had broken, the wind changed, and a delicious breeze came sweeping in at the windows as if to cool our cheeks, flushed with the playful argument.
"Will you ride or walk this morning, girls?" asked Mrs. Morris, as we arose from the breakfast-table.
"Oh, let us take our books, guitar and work up the mill-stream to the old oak, dear mamma," exclaimed Effie, "and spend an hour or two there."
"But it will be mid-day when we return," replied her mother.
"That's true," said Effie, laughing, "but Leven can drive up to the old broken bridge for us at mid-day."
"To be sure he can," said Mrs. Morris, and accordingly we sallied forth, laden with books and netting, while a servant trudged on ahead, with camp-stools and guitar. Nothing eventful occurred on that particular morning, and yet though years have passed since then, I never recall the undulating scenery of the narrow, dark, winding mill-stream of Stamford, but it presents itself to my mind's eye as it looked on that morning. In my waking or sleeping dreams, I see the old oak at the morning hours, and whenever the happy moments I have spent at Effie Morris' country home come to my memory, this morning is always the brightest, most vivid picture presented before me by my fancy. As Hans Christian Andersen says with such poetic eloquence in his Improvisatore—"It was one of those moments which occur but once in a person's life, which, without signalizing itself by any great life-adventure, yet stamps itself in its whole coloring upon the Psyche wings."
We walked slowly along the narrow bank—tall trees towered around us, whose waving branches, together with the floating clouds, were mirrored with exquisite distinctness on the bosom of the dark, deep, narrow stream—near at shore lay the dreaming, luxurious water-lilies, and a thousand beautiful blossoms bent over the bank, and kissed playfully the passing waters, or coquetted with the inconstant breeze. Our favorite resting-place was about a mile's walk up the beautiful stream, and to reach it we had to cross to the opposite shore, over a rude, half-ruined bridge, which added to the picturesque beauty of the scenery. The oak was a century old tree, and stood upon rising ground a short distance from the shore. How calmly and happily passed that morning. Effie sang wild ballads for us, and her rich full notes were echoed from the distance by the spirit voices of the hills. We wove garlands of water-lilies and wild flowers, and when I said we were making Ophelias of ourselves, Effie, with shy earnestness most bewitching, unloosened her beautiful hair, twining the long locks, and banding her temples with the water-lily garlands and long grass—then wrapping an India muslin mantle around her shoulders, she gathered up the ends on her arms, filling them with sprigs of wild blossoms, and acted poor Ophelia's mad scene most touchingly. Tears gathered in our eyes as she concluded the wild, wailing melody
"And will he not come again,
And will he not come again,
No, no, he is dead,
Go to thy death-bed,
He never will come again.
"His beard was as white as snow,
All flaxen was his poll—
He is gone, he is gone,
And we cast away moan—
God a mercy on his soul."