Around this hideous instrument of torture was raised a scaffold hung with black cloth, and strewed with saw-dust, for the convenience of the executioners, about three feet lower than the wheel which surmounted it.
Around this frightful apparatus were drawn up two companies of the French guard, forming a large hollow-square facing outwards, with muskets loaded, and bayonets fixed, as if they apprehended an attempt at rescue, although from the demeanor of the people nothing appeared at that time to be further from their thoughts than any thing of the kind.
Above was the executioner-in-chief, with two grim, truculent-looking assistants, making preparations for the fearful operation they were about to perform, or leaning indolently on the instruments of slaughter.
By and bye, as the day wore onward, and the concourse kept still increasing both in numbers and in the respectability of those who composed it, something of irritation began to show itself, mingled with the eagerness and expectation of the populace, and from some murmurs, which ran from time to time through their ranks, it would seem that they apprehended the escape of their victim.
By this time the windows of all the houses which overlooked the precincts of that fatal square on which so much of noble blood has been shed through so many ages, were occupied by persons of both sexes, all of the middle, and some even of the upper classes, as eager to behold the frightful and disgusting scene, which was about to ensue, as the mere rabble in the open streets below.
The same thing was manifest along the whole line of the thoroughfare by which the fatal procession would advance, with this difference alone, that many of the houses in that quarter belonging to the high nobility, and all with few exceptions being the dwellings of opulent persons, the windows, instead of being let like seats at the opera, to any who would pay the price, were occupied by the inhabitants, coming and going from their ordinary avocations to look out upon the noisy throng, when any louder outbreak of voices called their attention to the busy scene.
Among the latter, in a large and splendid mansion, not far from the Porte St. Antoine, and commanding a direct view of the Place de la Bastille, with its esplanade, drawbridge, and principal entrance, a group was collected at one of the windows, nearly overlooking the gate itself, which seemed to take the liveliest interest in the proceedings of the day, although that interest was entirely unmixed with any thing like the brutal expectation, and morbid love of horrible excitement which characterized the temper of the multitude.
The most prominent person of this group was a singularly noble-looking man, fast verging to his fiftieth year, if he had not yet attained it. His countenance, though resolute and firm, with a clear, piercing eye, lighted up at times, for a moment, by a quick, fiery flash, was calm, benevolent, and pensive in its ordinary mood, rather than energetical or active. Yet it was easy to perceive that the mind, which informed it, was of the highest capacity both of intellect and imagination.
The figure and carriage of this gentleman would have sufficiently indicated that, at some period of his life, he had borne arms and led the life of a camp—which, indeed, at that day was only to say that he was a nobleman of France—but a long scar on his right brow, a little way above the eye, losing itself among the thick locks of his fine waving hair, and a small round cicatrix in the centre of his cheek, showing where a pistol ball had found entrance, proved that he had been where blows were falling thickest, and that he had not spared his own person in the melée.
His dress was very rich, according to the fashion of the day, though perhaps a fastidious eye might have objected that it partook somewhat of the past mode of the Regency, which had just been brought to a conclusion as my tale commences, by the resignation of the witty and licentious Philip of Orleans.