"Said I not?" demanded an aged woman, who approached the moment after the ceremonial, and whose face was beheld by none but him whom she addressed. "She is thine!"

The youth smiled, but made no answer. His hand drew that of Francesca closer. She stooped to his kiss, and whispered him, but he heard her not. With the consciousness of the sweet treasure that he had won after such sad denial, the sense grew conscious no longer—the lips of the youth were sealed for ever. The young Giovanni, the bravest of the Venetian youth, lay lifeless in the embrace of the scarcely more living Francesca. It was a sad day, after all, in Venice, since its triumph was followed by so great a loss; but the damsels of the ocean city still declare that the lovers were much more blest in this fortune, than had they survived for the embrace of others less beloved.

[The touching and romantic incident upon which this little tale is founded, has been made use of by Mr. Rogers, in his poem of "Italy." It is one of those events which enrich and enliven, for romance, the early histories of most states and nations that ever arrive at character and civilization. It occurs in the first periods of Venetian story, about 932, under the Doge Candiano II. I have divided my sketch into five parts, having originally designed a dramatic piece with the same divisions. That I have since thought proper to write the tale in the narrative and not the dramatic form, is not because of any insusceptibility of the material to such uses. I still think that the story, as above given, might easily and successfully be dramatized, giving it a mixed character—that of the melo-dramatic opera, and only softening the close to a less tragical denouement.]


ODE TO THE MOON.


BY MRS. E. C. KINNEY.


I.

Myriads have sung thy praise,
Fair Dian, virgin-goddess of the skies!
And myriads will raise
Their songs, as time yet onward flies,
To thee, chaste prompter of the lover's sighs,
And of the minstrel's lays!
Yet still exhaustless as a theme
Shall be thy name—
While lives immortal Fame—
As when to people the first poet's dream
Thy inspiration came.