“Paul had hitherto lived for his art alone. Painting was the mistress he had ever wooed with intense passion, but now another claimed his homage, and he bowed with a fervor little less than idolatrous at woman’s shrine. Such a love could not long remain concealed. The father of Carlotta, a vain and purse-proud man, hoping by his wealth to obtain a husband for his daughter among some of the haughty but decayed nobility, frowned on the artist, and forbade him his house. In secret the lovers plighted their troth, and parted, not knowing when they should meet again.
“Paul left Florence with the resolve to win not fame alone, but wealth.
“At Rome he was enrolled a member of the Academy of St. Luke, under Overbeck—the spiritually-minded Overbeck—who himself the son of a poet, has enriched his art with the divinely poetical conceptions of his own pencil. At Munich, one of his pictures was shown by Cornelius to the king of Bavaria, and purchased by that munificent patron of art at a price far exceeding the painter’s expectations. At Vienna a similar success attended him, and he returned to Florence after an absence of six years, with fame, and wealth enough for the foundation of a fortune.
“From Carlotta he had rarely heard, but he knew her heart was his, and he had that faith in her character as a true woman, which made him believe that no entreaties or commands of her father would induce her to wed another. And Paul was right—Carlotta D. still remained unmarried. In her the budding loveliness of the girl had expanded into the fuller beauty of the woman, but Talbot was sadly altered. The feverish excitement—the continued toil—the broken rest—the anxiety of thought to which he had been subjected, undermined his health, and planted the seeds of that insidious disease, which, while it wastes the bodily strength, leaves the mind unimpaired, and the hope of the sufferer buoyed to the last. The father of Carlotta finding that neither persuasion nor coercion could make his high-souled daughter barter her love for a title, consented at last that she should become the bride of the artist; but many said the wily Florentine had given his consent the more readily, because he saw that Paul would not long be a barrier in the way of his ambition.
“Paul Talbot had buffeted the adverse waves of fortune; he had gained renown in a land filled with the most exquisite creations of the gifted; he had won a promised bride. Whence, in that bright hour loomed the one dark cloud that blotted the stars from the sky? Could it be the shadow of the tomb? Was death interweaving his gloomy cypress with the laurel on the painter’s brow? Oh, no, no—he was but weary—he only wanted rest, and his powers would again be in full vigor. Then, with Carlotta at his side—with her smile to cheer him on—he would aim higher, and yet higher in his art.
“And the young wife was deceived. Although a nameless dread, a dark prescience lay heavy at her heart, she yet thought the bright flush on the cheek of Paul a sign of returning health. How tenderly and anxiously she watched lest he should fatigue himself at his easel, and how gently she chid, and lured him from his task into the open air of their beautiful garden.
“One of the days thus passed had been deliciously mild, and, although mid-winter, in that heavenly climate where flowers are ever blooming in the open air, each breeze was laden with the heavy odor of the orange blossom, and the fainter perfume of the Provence rose. Stepping lightly from the balcony where Paul and she had been seated watching the piled-up masses of crimson, of purple, and of gold that hung like regal drapery round the couch of the western sun, Carlotta pushed aside the opening blossoms of the night-jasmine which intercepted her reach, and gathering a handful of rose-buds, carried them to Paul. He took the flowers from his wife, and looking mournfully upon them, said, ‘When we cross the waters to visit my native land, we will take with us some of your precious roses, beloved, and beautify my mother’s silent home; and now,’ he continued, twining his arm round her waist, and leading her to the harp, ‘sing me that little song I wrote while yet a student in old Rome.’ Pressing her lips upon his brow, Carlotta seated herself, and sung the song, which she had set to music. The air was soft and melancholy, and the sweet tones of the singer were tremulous with emotion.
Fill high the festive bowl to-night,
In memory of former years,
And let the wine-cup foam as bright