I was looking over, the other evening, a series of prints in the possession of a friend, and was much struck with one—which I may yet give to you—in which angling was reversed, and putting the rod in the hands of the finny tribe, they were busily engaged—as fishers of men—in presenting to tempting appetites, sundry bottles of champagne and choice liquors—baits in the shape of gold, and offices of preferment with packets variously endorsed, and trinkets and epaulets to those who might fancy tinsel and glory. It was amusing to see the humans, with what avidity they bit, and how seriously they were bitten. How those rose to the fly who loved a glass—how the miser swallowed the barbed hook, gilt plated—how the aspirant for office dabbled in dirty waters and bedaubed himself for the sake of the seal of appointment—how the lovers of the dazzling and the lovers of glory, crowded to destruction together.
You have a taste for the sport that tickled the fancy of good Izak Walton, I believe, and with your adroit fly have thrown your trout remorselessly and dexterously on the land, and while he panted and flapped himself as a sturdy opponent of non-resistance, have smiled at his efforts with a self-complacency quite refreshing and heroic—with a consciousness of superiority that would have been any thing but gratifying if your victim could have appreciated it. He was the slave of his appetite, and that was his ruin; or if you please, his ambition to rise at a shining mark, was the death of him. The trout has often verified the poet’s line. We are apt to think meanly of the fish for his silly voracity, and yet if the tables were turned, and the scaly tribes were the anglers, they might present baits as tempting and as worthless, in the waters in which we dabble, and chuckle in their sage philosophy with as ripe a reason as we do now. The artist has presented them as fishers of men, and has hit the conceit exactly.
Let us throw the line, nicely baited with gold, among the strictest of the Pharisees, who for a pretence make long prayers, and who hold up their phylacteries proudly, even in the humble courts of the temple. What a flutter and a rustling of garments do we not hear, as the whole tribe, rushing over laws that the Christian loves, dash with hands clutching at the bait, even under the very horns of the altar. Do the eager eyes and panting hearts of that avaricious crowd give token of the soul sanctified and subdued—lost to all self—dead to all covetousness; or does the avidity of the chase, or the reckless thrusting aside of brother, give the looker-on an intimation that the divine law of loving one’s brother has ever regulated the dwellers in the muddy waters in which this bait is thrown?
In yonder foaming, flashing stream, where the waves are lashed into sparkles, and the vast human crowd disports itself, all eager after the glittering baits which are flung skillfully upon the waters by the angler Fate; what a ravenous rush and endless jostle, for the particular bait that attracts each taste do we see. How temptingly—how alluringly does the fly float upon the water to each eye that it is designed to attract—how tame, how dead, how utterly unworthy of notice to all others. The barbed hook carefully concealed, lifts each eager victim from enjoyment to misery—yet each with his own eye steadily watching the fatal bait, thinks himself wiser than his fellows, and dashes at last upon his fate, with a triumphant consciousness of a superiority above his kind.
Yet every eddy, and every nook in the broad stream in which we float, has its bait floating upon the waters—how happy he, who with the fate of his comrades before him, will take warning and be wise.
G. R. G.
Gems from Moore’s Melodies.—Among the novelties and attractions for our present volume, will be a series of illustrations of Moore’s Irish Melodies. We present the first in this number, and will give one in each succeeding number throughout the year. They will all be in the same exquisite style with that now presented to our subscribers, and cannot fail in producing real pleasure to every one who can appreciate what is truly beautiful. “The Meeting of the Waters,” will be followed by “The Last Rose of Summer.”
Premium Plates.—Owing to unavoidable circumstances, our artists have not been able to complete, so as to enable us to distribute, some of the beautiful Prints designed as Premiums to subscribers to this Magazine. They will soon, however, be ready to forward, and subscribers may rely with confidence on having them transmitted agreeably to order.