Cosmos: a Sketch of a Physical Description of the Universe. By Alexander Von Humboldt. Translated from the German, by E. C. Otté. New York: Harper & Brothers. 2 vols. 12mo.

The noble head of Humboldt which adorns the title-page of this edition gives at once a favorable impression of his capacity to treat even the vast subject which here has tasked his powers. The head is high, broad, massive, and roomy—spacious enough for knowledge as universal as his, and strong enough to use that knowledge, and not be used by it. The work promises to be one which will leave its mark on the century. Even in England it is acknowledged by some men of science to be the greatest mental product of the time. The advantage which Humboldt holds over most savans is his appreciation of the two aspects under which nature may be viewed, and the two uses she serves. He combines the philosopher and the poet, looking for beauty as well as truth, and seeing also that there is a point where they unite. “Cosmos” contains a vast amount of generalized knowledge to satisfy the understanding; but it is also replete with gorgeous descriptions of natural scenery to fill and stimulate the imagination. We know of few works which can be more profitably read by enthusiasts either for the exclusively scientific or the exclusively poetic method of observing nature.


The East: Sketches of Travel in Egypt and the Holy Land. By the Rev. J. A. Spencer, M. A. New York: George P. Putnam. 1 vol. 8vo.

This work is elegantly printed and appropriately illustrated. The field of the author’s travels is of exceeding interest, and the mere title, “The East,” is sufficient to stir the imagination and kindle the curiosity of all “the West.” Mr. Spencer is a scholar, a Christian, and, we may add, well versed in English Composition, but he has chosen to preserve the epistolary form in which he recorded his first impressions, and this he has done without having in his letters much of that familiar charm which is the justification of the practice. If the traveler be Lady Montagu, or Horace Walpole, or Gray, or Cowper, or Byron, or even Lord Chesterfield, we should be inclined to wish to read his letters rather than his formal “tour;” but few writers are gifted with a genius for epistolary composition; and Mr. Spencer is not one of the few. There is much in his volume which might have been omitted with positive advantage. His style is the very reverse of epistolary, and yet he says a great many things having all the unimportance of chat without its raciness. With this exception we think the book an excellent one, containing valuable information clearly conveyed.


The Optimist. By Henry T. Tuckerman. New York: George P. Putnam. 1 vol. 12mo.

This is the most delightful of Mr. Tuckerman’s many volumes of essays. It contains twenty-two papers, on as many subjects, is written in a style which evinces a graceful mastery of the resources of language, and is no less fluent in thought than in expression. Perhaps the most pleasing quality of the volume is its wealth of illustration. The writer’s mind is not only affluent in comparison and imagery, but his literary culture is so extensive as to give him a command of those sources of fascination which come from felicitous allusions to the world of authors and books. The object of the volume is finely stated, in an elegantly written preface, to be the search for the good in life, as that good is exhibited to one who can comment kindly on society, and interpret the true and beautiful in common experience. The best papers in the volume are those on New England Philosophy, Art and Artists, Lyric Poetry, Eye-Language, Flowers, Costume, Music, and Conversation. The volume should be on the shelves of every man who has the heart and imagination to enjoy the English essayists, for to that goodly company it is a positive addition.