VALENTINE HISTORIES.

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BY S. SUTHERLAND.

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Florence Hastings sat alone in one of the spacious apartments of her uncle’s stately mansion in —— square. The luxuriously cushioned sofa was drawn quite close to the cheerful grate-fire, while the pale cheek of its occupant, and the slight form almost hidden in the folds of a large shawl, betokened an invalid. And such in reality was our young heroine. Fresh in her memory, and consequently in its effects upon her personal appearance, was a lingering and dangerous illness, and barely three weeks had elapsed since the crisis was safely past, and she had been pronounced convalescent.

Books and writing materials were now scattered carelessly upon a table beside her—but they did not claim her interest. She seemed in an unusually nervous, restless mood. At times her eyes would wander around the apartment with a strangely dissatisfied look, (for every thing before her wore an appearance of splendor very agreeable to the gaze of the beholder,) then she would bury her face in her hands, while something glittering and dewy—something greatly resembling a tear-drop, would trickle slowly through those slender fingers. Could it, indeed, be a tear-drop? What cause for sorrow had Florence Hastings, the young and accomplished heiress? Florence was an orphan. At the early age of ten years she had lost both the tender father, and the sweet mother who had watched over her steps in infancy, and since that period she had felt too deeply that there was no one to whom she could look for the true love and sympathy for which her spirit pined. Her uncle and guardian, absorbed in the duties of an extensive mercantile establishment, troubled himself little about his niece. He was well assured that her own goodly inheritance amply supplied all her desires—and the morning salutation with which he honored Florence as she took her accustomed seat beside him at the breakfast table, and the gracious smile of approbation when he beheld her at evening bending over her studies in the parlor, were generally sufficient to relieve his mind of all scruples concerning the duties of personal intercourse. On this point, however, no one who knew Mr. Hastings would have rested any blame upon him. He was to all a man of few words—naturally cold and calm in manner. His wife resembled him greatly in every respect—being of a quiet, placid temperament, which no emotion was ever observed to ruffle—pursuing the tenor of her way by rule rather than by impulse. So in this case, at least, it was plainly evident that “Love’s delight” had not consisted in “joining contrasts.” Casual observers might have said that a similar description would apply to Mr. Hastings’ niece—but in doing so they wronged her. Florence was, indeed, reserved, and apparently cold, but it was from habit and education—not by inheritance. Once she had been a sunny, glad-souled child, whose bounding footstep and merry laugh resounded gayly through a home where she was tenderly loved and cherished—but she was sensitive, too, beyond her years; and when the light of that pleasant hearth was forever extinguished, and she sat in affliction and desolation of spirit by the fireside of those who till then had been strangers to her, the chilling atmosphere of her new home effectually checked the return of that animation of manner, which, from the fortunate inability of childhood to retain a lasting remembrance of sorrow, might have been expected. So the gleeful laughter of the once happy-hearted little Florence was hushed, and her joyous, springing step exchanged for a slower and more measured tread. It was a mournful thing for one so young and gentle and loving in spirit as Florence, to be obliged to repress all exhibition of the sweet, frank impulses of her nature, and live on with no voice to whisper words of encouragement and affection. Yet the orphan succeeded in moulding her manner in accordance with her new and strange existence. A weary task it was, and oftentimes did her rebellious soul

“Beat the bars