THE COUNTESS—A TALE OF THE FRENCH REVOLUTION.
BY PERCY B. ST. JOHN.
The Citizen Aristides Godard was the very beau ideal of a republican patriot during the early times of the Terror. During the day, the Citizen Godard sold cloth to his brother and sister democrats, and talked politics by the yard all the while. He was of the old school—hated an aristocrat and a poet with an intensity which degenerated into the comic, and never once missed a feast of reason, or any other solemnity of those days. Enter his shop to purchase a few yards of cloth, and he would eagerly ask you for the latest news, discuss the debate of the previous night in the Convention, and invite you to his club. His club! for it was here the Citoyen Godard was great. The worthy clothier could scarcely read, but he could talk, and better still, he could perorate with remarkable emphasis and power, knew by heart all the peculiar phrases of the day, and even descended to the slang of political life.
The Citoyen Godard was a widower, with an only son, who having inherited a small fortune from his mother, had abandoned trade, and given up his whole time to the affairs of the nation. Paul Godard was a young man, of handsome form and mien, of much talent, full of sincerity and enthusiasm; and with these characteristics was, though not more than four-and-twenty, president and captain of his section, where he was distinguished for his eloquence, energy, and civism. Sincerely attached to the new ideas of the hour, he, however, had none of the violence of a party man; and though some very exaggerated patriots considered him lukewarm, the majority were of a very different opinion.
It was eight o'clock on one gloomy evening in winter, when the Citizen Godard entered the old convent, where sat the Jacobin Club. The hall was, as usual, very full. The locality contained nearly fourteen hundred men, seated upon benches placed across the room, in all the strange and varied costumes of the time. Red caps covered many heads, while tricolored vests and pantaloons were common. The chief characteristic was poverty of garb, some of the richest present wearing wooden shoes, and using a bit of cord for strings and buttons. The worst dressed were, of course, the men who assumed the character of Jacobins as a disguise.
One of these was speaking when Godard entered, and though there was serious business before the club, was wasting its time in denouncing some fabulous aristocratic conspiracy. Godard, who was late, had to take his place in the corner, where the faint glimmer of the taller candles scarcely reached him. Still, from the profound silence which as usual prevailed, he could hear every word uttered by the orator. The Jacobins, except when there was a plot to stifle an unpopular speaker, listened attentively to all. The eloquent rhetorician, and the unlettered stammerer, were equally attended to—the matter, not the manner, being cared for.
The orator who occupied the tribune was young. His face was covered with a mass of beard, while his uncombed hair, coarse garments, dirty hands, and a club of vast dimensions, showed him to be a politician by profession. His language was choice and eloquent, though he strove to use the lowest slang of the day.
"Word of a patriot!" said the Citoyen Godard, after eying the speaker suspiciously for some time. "I know that voice. He is fitter for the Piscine des Carmagnoles[26] than for the tribune."
"Who is the particular?" asked a friend of the clothier, who stood by.
"It is the Citizen Gracchus Bastide," said a third, in a soft and shrill tone, preventing the reply of Godard; and then the speaker bent low, and added—"Citoyen Godard, you are a father and a good man. I am Helene de Clery; the orator is my cousin. Do not betray him!"