[From Bentley's Miscellany.]
THE BLIND SISTER, OR CRIME AND ITS PUNISHMENT.
For real comfort, snugness, and often rural beauty, where are there in the wide world any dwellings that can equal the cottage homes of England's middle classes? Whether they be clad with ivy and woodbine, half hidden by forest-trees, and approached by silent, shady lanes, or, glaring with stucco and green paint, stand perched upon flights of steps, by the side of dusty suburban roads—whether they be cockney-christened with fine titles, and dignified as villas, halls, or lodges, or rejoice in such sweet names as Oak Cottage or Linden Grove—still within their humble walls, before all other places, are to be found content, and peace, and pure domestic love.
Upon the slope of a gentle hill, about a mile from a large town, where I was attending to the practice of an absent friend, there stood a neat and pretty residence, with slated roof and trellised porch. A light verandah shaded the narrow French windows, opening from the favorite drawing-room upon a trim, smooth lawn, studded with gay parterres, and bounded by a sweetbriar hedge; and here old Mrs. Reed, the widow of a clergyman, was busily employed, one lovely autumn afternoon, peering through her spectacles at the fast-fading flowers, or plucking from some favorite shrub the "sear and yellow leaf" that spoke of the summer passed away, and the dreary season hurrying on apace. Her daughter, a pale and delicate-looking girl, sat with her drooping head leant against the open window-frame, watching her mother sorrowfully as she felt her own declining health, and thought how her parent's waning years might pass away, uncared for, and unsolaced by a daughter's love. Within the room, a young man was reclining lazily upon a sofa; rather handsome, about the middle height, but had it not been for a stubby mustache, very long hair, and his rather slovenly costume—peculiarities which he considered indispensable to his profession as an artist—there was nothing in his appearance to distinguish him from the generality of young English gentlemen of his age and station. Presently there fell upon his ear the notes of a beautiful symphony, played with most exquisite taste upon the harp, and gradually blending with a woman's voice, deep, soft and tremulous, every now and then, as if with intense feeling, in one of those elaborate yet enervating melodies that have their birth in sunny Italy. The performer was about twenty-five years of age, of haughty and dazzling beauty. Her dark wavy hair, gathered behind into a large glossy knot, was decked on one side with a bunch of pink rose buds. A full white robe, that covered, without hiding, the outline of her bust and arms, was bound at the waist with a thick cord and tassel of black silk and gold, adding all that dress could add to the elegance of her tall and splendid figure. Then, as she rose and stretched out her jeweled hand to tighten a loose string, the ineffable grace of the studied attitude in which she stood for some moments showed her to be well skilled in those fascinating arts that so often captivate the senses before the heart is touched.
This lady was the daughter of Mrs. Reed's only sister, who in her youth had run away with an Italian music master. Signor Arnatti, although a poor adventurer, was not quite devoid of honor, for, when first married, he really loved his English wife, and proudly introduced her to his friends at Florence, where her rank and fortune were made much of, and she was caressed and fêted until half wild with pleasure and excitement. But this was not to last. Her husband, a man of violent and ungovernable temper, was heard to utter certain obnoxious political opinions; and it being discovered that he was connected with a dangerous conspiracy against the existing government, a speedy flight alone saved him from the scaffold or perpetual imprisonment. They sought a temporary home in Paris, where, after dissipating much of their little fortune at the gambling-table, he met with a sudden and violent death in a night-brawl, just in time to save his wife and child from poverty. The young widow, who of late had thought more of her infant than its father, was not long inconsolable. Discarded by her own relations, who, with bitter and cruel taunts, had refused all communication with her, and now too proud to return to them again, she settled with her little girl in Italy, where a small income enabled her to lead a life of unrestrained gayety, that soon became almost necessary to her existence. Here young Catherine was reared and educated, flattered and spoiled by all about her; and encouraged by her vain mother to expect nothing less than an alliance with high rank and wealth, she refused many advantageous offers of marriage, and ere long gained the character of a heartless and unprincipled coquette, especially among the English visitors, who constituted a great part of the society in which she moved. Her mother corresponded occasionally with Mrs. Reed; and the sisters still cherished an affection for each other, which increased as they advanced in years; but their ideas, their views, even their religion was different, and the letters they exchanged once, or at most twice a year, afforded but little satisfaction to either. When the cholera visited Italy, Madame Arnatti was seized with a presentiment that fate had already numbered her among its victims, and, under the influence of this feeling, wrote a long and touching letter to her sister, freely confessing the sin and folly of her conduct in regard to her daughter's management, of whom she gave a long description, softened, it is true, by a mother's hand, yet containing many painful truths, that must have caused the doting parent infinite sorrow to utter. She concluded by repeating her conviction that her end was near, and consigning Catherine to her sister's care, with an entreaty that she would take her from the immoral and polluted atmosphere in which they lived, and try the effect of her piety, and kindness, and steady English habits on the young woman's violent and ungovernable passions. Months passed away; and then Mrs. Reed received a letter from Catherine herself, telling of her mother's death; also one from a lady, in whose company she was traveling homeward, in accordance with her mother's dying wish. Another long interval elapsed, and the good lady was preparing to visit London for the purpose of consulting an eminent physician on her daughter's state of health when news reached the cottage of Miss Arnatti's arrival in that city, which had been retarded thus long by tedious quarantine laws, illness, and other causes.
Her guardian was apparently glad enough to get rid of the charge she had undertaken, and within a week Catherine removed to her aunt's lodgings, where she was received and treated with every affectionate attention; but a constant yearning after gayety and amusements, indelicate and unfeeling as it appeared to her relatives, so soon after the loss of an only parent; the freedom and boldness of her manners when in company or in public, and her overbearing conduct to those about her, augured but little in favor of such an addition to their circle. However, the good aunt hoped for better things from the removal to her quiet country-home. Their stay in London was even shorter than they had intended, and, for some time after their return to the cottage, Miss Arnatti endeavored to adapt herself to the habits that must have been so strange and new to her; she even sought, and made herself agreeable in the very orderly but cheerful society where her aunt and cousin introduced her, although Annie Reed's increasing weakness prevented them from receiving much company at their own house.
Edwin Reed, Catherine's other cousin, was absent on a tour in Wales, and had only returned a few days previous to the afternoon on which we have described him as listening, enraptured, to the lady's native music. Seating herself at the piano, she followed this by a brilliant waltz, the merry, sparkling notes of which made the eye brighten and the brain whirl, from very sympathy; and then returning to her favorite instrument, she sang, to a low, plaintive accompaniment, a simple English ballad, telling of man's heartlessness, and woman's frailty and despair. The last verse ran:
So faith and hope her soul forsaking,
Each day to heavier sorrow waking
This cruel love her heart was breaking
Yet, ere her breath
Was hushed in death,
She breathed a prayer
For her betrayer—
Angels to heaven her poor soul taking.
Scarcely had she finished, when, as if in thorough contempt of the maiden's weakness, she drew her hand violently across the strings with a discordant crash, that startled poor little Annie painfully, and pushing the harp from her with an impatient gesture, abruptly quitted the room.
The old lady had gone in to enjoy a gossip with her next-door neighbor, and so the brother and sister were alone. The signs of tears were on the latter's cheek as Edwin approached and sat down by her side; attributing this to her extreme sensibility wrought upon by what they had just heard, he spoke some kind and cheering words, and then began to talk enthusiastically of their cousin's beauty and accomplishments. She listened to him quietly for some time, and then,