Mary herself rewarded George Douglas to the utmost of her power, in various ways, but above all by facilitating his marriage with a young and beautiful French heiress of high rank, to whom he had formed an attachment, and as his poverty was the only obstacle to this alliance, she generously enabled him to make a suitable settlement on his bride out of a portion of her French estates, which she assigned to him for this purpose by deed of gift. "Services like his," as she wrote to her uncle, "ought never to be forgotten."

A simple black marble tablet in the chancel of Edensor Church, to the left of the altar, marks the grave of John Beton, on which a Latin inscription records the fact, "that he died at Chatsworth, in his thirty-fourth year, worn out with the fatigues and hardships he had encountered in the service of his royal mistress," adding as his best and proudest epitaph, "that he had assisted in delivering that illustrious princess from her doleful prison in the Laga Laguina." (Lochleven.)

Poetry is the handmaid as well as the inspiration of chivalry, and if ever the deeds of brave and loyal gentlemen deserved to live in song, surely the achievement of the loyal associates who rescued their oppressed queen from her cruel captivity in Lochleven Castle, ought to be thus commemorated, and their names had in remembrance long after "the marble that enshrines their mortal remains has perished, and its imagery mouldered away."


[From Dickens's Household Words.]

A GERMAN PICTURE OF THE SCOTCH.

A new play was recently produced at the principal theatre of Vienna, which illustrates the notions of Scotchmen which obtain currency and credence among the Germans. The scene is laid in St. Petersburgh; the real hero is a little animal, known to dog-fanciers as a Scotch terrier; but the nominal chief character is a banker from Glasgow, named Sutherland. He had failed in his native place, but in Russia he became a great man, for he was the favorite money-dealer of the Empress Catherine.

We all know the strength of a Scotch constitution, but we also know the severity of a St. Petersburgh winter: yet Mr. Sutherland presents himself to his audience, amidst the frozen scenery of that ice-bound city, in what is believed abroad to be the regular everyday costume of a citizen of Glasgow; namely, a kilt, jack-boots, and a cocked hat, with a small grove of fine real feathers. Mr. Sutherland, despite his scanty nether costume, appears to be in excellent health and spirits. He has thriven so well in the world that, in accordance with a tolerably correct estimate of the Caledonian national character, his relations at home begin to pay court to him, and to send him presents. One indulges him with the hero of the piece: the small, ugly, irate, snuffy quadruped before mentioned. The banker takes it with a good-humored "Pish!" little dreaming of the important part the little wretch is destined to play. He had scarcely received the gift when the Empress passes by, sees the dog, and desires to possess it, while the grateful Sutherland is too glad to be able to gratify a royal caprice at so light a cost.

She, in the fervency of her gratitude, named the dog after the donor—a great compliment.

Alas! one day, the dog, who had eaten too plentifully of zoobrême (chicken stewed with truffles), was seized with apoplexy and died; though not without suspicion of having been poisoned by the prime minister, a piece of whose leg he had digested the day before. The Empress sighed far more over the loss of her dog, than she would have done for that of the minister. The one might have been easily replaced: she knew at least twenty waiting open-mouthed for the vacancy. But who could replace her four-footed friend!—she mourns him as a loss utterly irreparable. She orders the greatest mark of affectionate respect it is possible to show to be performed on the dead terrier.