An Exposition of some of the Laws of the Latin Grammar, by Gessner Harrison, M.D. (Published by Harper and Brothers.) This is a treatise on several nice topics of Latin philology, which are discussed with great sagacity and analytic skill. It is not intended to take the place of any of the practical grammars now in use, but aims rather to supply some of their deficiencies, by presenting a philosophical explanation of the inflections and syntax of the language. Although the subtle distinctions set forth by the author may prove too strong meat for the digestion of the beginner, we can assure the adept in verbal analogies, that he will find in this volume a treasure of rare learning and profound suggestion. While professedly devoted to the Latin language, it abounds with instructive hints and conclusions on general philology. It is one of those books which, under a difficult exterior, conceals a sweet and wholesome nutriment. Whoever will crack the nut, will find good meat.
An excellent aid in the acquisition of the French language may be found in Professor Fasquelle's New Method, published by Newman and Ivison. It is on the plan of Woodbury's admirable German Grammar, and for simplicity, copiousness, clearness, and accuracy, is not surpassed by any manual with which we are acquainted.
The Two Families is the title of a new novel by the author of "Rose Douglas," republished by Harper and Brothers. Pervaded by a spirit of refined gentleness and pathos, the story is devoted to the description of humble domestic life in Scotland, perpetually appealing to the heart by its sweet and natural simplicity. The moral tendency of this admirable tale is pure and elevated, while the style is a model of unpretending beauty.
A Greek Reader, by Professor John J. Owen (published by Leavitt and Allen), is another valuable contribution of the Editor to the interests of classical education. It comprises selections from the fables of Æsop, the Jests of Hierocles, the Apophthegms of Plutarch, the Dialogues of Lucian, Xenophon's Anabasis and Cyropædia, Homer's Iliad and Odyssey, and the Odes of Anacreon. With the brief Lexicon and judicious Notes by the Editor, it forms a highly convenient text-book for the use of beginners.
The Second Volume of Lamartine's History of the Restoration (issued by Harper and Brothers), continues the narrative of events from the departure of Napoleon from Fontainebleau to his escape from Elba, his defeat at Waterloo, and his final abdication. The tone of this volume is more chaste and subdued, than that of the previous portions of the work. The waning fortunes of the Emperor are described with calmness and general impartiality, though the author's want of sympathy with the fallen conqueror can not be concealed. Many fine portraitures of character occur in these pages. In this department of composition, Lamartine is always graphic and felicitous. We do not admit the charge that he sacrifices accuracy of delineation to his love of effect. His sketches will bear the test of examination. Among others, Murat, Talleyrand, and Benjamin Constant are hit off with masterly boldness of touch. In fact, whatever criticisms may be passed upon this work as a history, no one can deny its singular fascinations as a picture-gallery.
Clifton, by Arthur Townley (published by A. Hart, Philadelphia), is an American novel, chiefly remarkable for its lively portraitures of fashionable and political life in this country. The plot has no special interest, and is in fact subservient to the taste for dissertation, in which the writer freely indulges. His sketches of manœuvres and intrigues in society and politics are often quite piquant, betraying a sharp observer and a nimble satirist. We do not know the position of the author, but he is evidently familiar with the sinuosities of Washington and New York society.
The Fourth Volume of Cosmos by Humboldt (republished by Harper and Brothers), continues the Uranological portion of the Physical Description of the Universe, completing the subject of Fixed Stars, and presenting a thorough survey of the Solar Region, including the Sun as the central body, the planets, the comets, the ring of the zodiacal light, shooting stars, fireballs, and meteoric stones. This volume, like those already published, is distinguished for its profuse detail of physical facts and phenomena, its lucid exhibition of scientific laws, and the breadth and profoundness of view with which the unitary principles of the Universe are detected in the midst of its vast and bewildering variety. Nor is Humboldt less remarkable for the impressive eloquence of his style, than for the extent of his researches, and the systematic accuracy of his knowledge. The sublime facts of physical science are inspired with a fresh vitality as they are presented in his glowing pages. He awakens new conceptions of the grandeur of the Universe and the glories of the Creator. No one can pursue the study of his luminous and fruitful generalizations, without a deep sense of the wonderful laws of the divine harmony, and hence, his writings are no less admirable in a moral point of view, than they are for the boldness and magnificence of their scientific expositions.
Dollars and Cents, by Amy Lothrop (published by G. P. Putnam), is a new novel of the "Queechy" school, in many respects bearing such a marked resemblance to those productions, that it might almost be ascribed to the same pen. Like the writings of Miss Wetherell, its principal merit consists in its faithful descriptions of nature, and its insight into the workings of the human heart in common life. The dialogue is drawn out to a wearisome tenuity, while the general character of the plot is also fatiguing by its monotonous and sombre cast. The story hinges on the reverses of fortune in a wealthy family, by whom all sorts of possible and impossible perplexities are endured in their low estate, till finally the prevailing darkness is relieved by a ray of light, when the curtain rather abruptly falls. In the progress of the narrative, the writer frequently displays an uncommon power of expression; brief, pointed sentences flash along the page; but the construction of the plot, as a whole, is awkward; and the repeated introduction of improbable scenes betrays a want of invention, which finally marks the work as a failure in spite of the talent which it occasionally reveals.
The Study of Words by Richard Chenevix Trench (Published by Redfield.) A reprint of a curious, but not very profound English work on the derivation of words. The author presents a variety of specimens of ingenious verbal analysis; always suggestive; but not seldom fanciful; relying on subtle hypotheses, rather than on sound authority. Still his book is not without a certain utility. It enforces the importance of a nice use of language as an instrument of thought. The hidden meaning wrapped up in the derivation of terms is shown to be more significant than is usually supposed; and the numerous instances of cunning etymology which it brings forward tend to create a habit of tracing words to their origin, which directed by good sense, rather than fancy, can not fail to exert a wholesome influence in the pursuit of truth.
Life and Correspondence of Lord Jeffrey, by Lord Cockburn. (Published by Lippincott, Grambo, and Co.) The best part of this book is that in which Jeffrey is made to speak for himself. Except on the ground of intimate friendship, Lord Cockburn had no special vocation for the present task. He exhibits little skill in the arrangement of his materials, and none of the graces of composition. His narrative is extremely inartificial, and fails to present the subject in its most commanding and attractive aspects. He often dwells upon trifles with a zeal quite disproportioned to their importance. These defects, however, are in some degree compensated by the thorough sincerity and earnestness of the whole performance. It is altogether free from pretension and exaggeration. Lord Cockburn writes like a plain, hard-headed, common-sense Scotchman. He tells a straightforward story, leaving it to produce its own effect, without superfluous embellishment. His relations with Jeffrey were of the most familiar character. Their friendship commenced early in life, and was continued without interruption to the last hour. The difference in their pursuits seemed only to cement their intimacy. Hence, on the whole, the biography was placed in the right hands. We thus have a more transparent record of the character of Jeffrey, than if the work had been prepared in a more ambitious literary spirit. In fact, his letters reveal to us the best parts of his nature, far more than could have been done by any labored eulogy. The light they throw on his affections is a perpetual surprise. His reputation in literature depends so much on the keenness and severity of his critical judgments, that we have learned to identify them with the personal character of the writer. We think of him almost as a wild beast, lurking in the jungles of literature, eager, with blood-thirsty appetite, to pounce upon his prey. He seems to roll the most poignant satire "as a sweet morsel under his tongue." But, in truth, this was not his innate disposition. When prompted by a sense of critical justice to slay the unhappy victim, "dividing asunder the joints and the marrow," he does not spare the steel. No compunctuous visitings of nature are permitted to stay the hand, when raised to strike. But, really, there never was a kinder, a more truly soft-hearted man. He often displays a woman's gentleness and wealth of feeling. The contrast between this and his sharp, alert, positive, intellectual nature is truly admirable. With his confidential friends, he lays aside all reserve. He unbosoms himself with the frank artlessness of a child. His letters to Charles Dickens are among the most remarkable in these volumes. He early detected the genius of the young aspirant to literary distinction. His passion for the writings of Dickens soon ripened into a devoted friendship for the author, which was cordially returned. Never was more enthusiastic attachment expressed by one man for another than is found in this correspondence. It speaks well for the head and heart of both parties. Incidental notices of the progress of English literature during the last half-century are, of course, profusely scattered throughout these volumes. The exceeding interest of that period, the variety and splendor of its intellectual productions, and the personal traits of its celebrities, furnish materials of rare value for an attractive work. With all its defects of execution, we must welcome this as one of the most delightful publications of the season.