"I have now said enough," he went on, "to show that if I had conceived the base design of betraying you, I could have accomplished my object before now."
On the utterance of these words, the priest, who had heard all that had passed, left his hiding-place, and appeared in the room.
"I can not believe, sir," said he, "that you are leagued with my persecutors; and I therefore willingly confide in you. What do you require of me?"
The noble confidence of the priest—the saint-like purity expressed in his features—must have struck even an assassin with respect. The mysterious personage who had intruded on the scene of misery and resignation which the garret presented, looked silently for a moment on the three beings before him, and then, in tones of secrecy, thus addressed the priest:
"Father, I come to entreat you to celebrate a mortuary mass for the repose of the soul of—of a—of a person whose life the laws once held sacred, but whose corpse will never rest in holy ground."
An involuntary shudder seized the priest, as he guessed the hidden meaning in these words. The nuns unable to imagine what person was indicated by the stranger, looked on him with equal curiosity and alarm.
"Your wish shall be granted," said the priest, in low, awe-struck tones. "Return to this place at midnight, and you will find me ready to celebrate the only funeral service which the church can offer in expiation of the crime to which I understand you to allude."
The stranger trembled violently for a moment, then composed himself, respectfully saluted the priest and the two nuns, and departed without uttering a word.
About two hours afterward, a soft knock at the outer door announced the mysterious visitor's return. He was admitted by Sister Agatha, who conducted him into the second apartment of their modest retreat, where every thing had been prepared for the midnight mass. Near the fire-place the nuns had placed their old chest of drawers, the clumsy workmanship of which was concealed under a rich altar-cloth of green velvet. A large crucifix, formed of ivory and ebony was hung against the bare plaster wall. Four small tapers, fixed by sealing-wax on the temporary altar, threw a faint and mysterious gleam over the crucifix, but hardly penetrated to any other part of the walls of the room. Thus almost exclusively confined to the sacred objects immediately above and around it, the glow from the tapers looked like a light falling from heaven itself on that unadorned and unpretending altar. The floor of the room was damp. The miserable roof, sloping on either side, was pierced with rents, through which the cold night air penetrated into the rooms. Nothing could be less magnificent, and yet nothing could be more truly solemn than the manner in which the preliminaries of the funeral ceremony had been arranged. A deep, dread silence, through which the slightest noise in the street could be heard, added to the dreary grandeur of the midnight scene—a grandeur majestically expressed by the contrast between the homeliness of the temporary church, and the solemnity of the service to which it was now devoted. On each side of the altar, the two aged women kneeling on the tiled floor, unmindful of its deadly dampness, were praying in concert with the priest, who, clothed in his sacerdotal robes, raised on high a golden chalice, adorned with precious stones, the most sacred of the few relics saved from the pillage of the Carmelite Convent.
The stranger, approaching after an interval, knelt reverently between the two nuns. As he looked up toward the crucifix, he saw, for the first time, that a piece of black crape was attached to it. On beholding this simple sign of mourning, terrible recollections appeared to be awakened within him; the big drops of agony started thick and fast on his massive brow.