The married life of the "happy pair" commenced. First one, and then another "toddling wee thing" presented itself in the young mother's household, and the mother's cares and responsibilities multiplied. But, to tell the truth, Elizabeth, though a beauty, was not a very good manager. She could sit at the head of her husband's table, and do the honors of the house to perfection. But look into her wardrobe, into her drawers, into her kitchen, and you would say at once, there was the want of the managing head, and the ready hand. A good housewife, like a good poet, is "born, not made"—nascitur non fit. It's true. There are some women whom no measure of drilling can convert into good housewives. They may lay down systems, cultivate domesticity, study tidying, spending, house-drilling, as an art, and yet they can not acquire it. To others it comes without effort, without consciousness, as a kind of second nature. They are "to the manner born." They don't know how it is themselves. Yet their hand seems to shed abroad order, regularity, and peace, in the household. Under their eye, and without any seeming effort on their part, every thing falls into its proper place, and every thing is done at its proper time. Elizabeth did not know how it was; yet, somehow, she could not get servants like any body else (how often imperfect management is set down to account of "bad servants!"); she could not get things to go smoothly; there was always something "getting across;" the house got out of order; dinners were not ready at the right time, and then the husband grew querulous; somehow, the rooms could not be kept very tidy, for the mistress of the household having her hands full of children, of course she "could not attend to every thing;" and, in short, poor Elizabeth's household was fast getting into a state of muddle.

Now, husbands don't like this state of things, and so, the result of it was, that Elizabeth's husband, though not a bad-natured man, sometimes grew cross and complaining, and the beautiful wife found that her husband had "a temper"—as who has not? And about the same time, the husband found that his wife was "no manager," notwithstanding her good looks. Though his wife studied economy, yet he discovered that, somehow, she got through a deal of money, and yet there was little comfort got in exchange for it. Things were evidently in a bad way, and going wrong entirely. What might have been the end, who knows? But, happily, at this juncture, aunt Jane, the children's pet, the "little droll old maid," appeared on the stage; and though sisters are not supposed to be of good omen in other sisters' houses, certainly it must be admitted that, in this case, the "old maid" at once worked a wonderful charm.

The quiet creature, in a few weeks, put quite a new feature on the face of affairs. Under her eye, things seemed at once to fall into their proper places—without the slightest "ordering," or bustling, or noise, or palaver. Elizabeth could not make out how it was, but sure enough Jane "had such a way with her," and always had. The positions of the sisters seemed now to be reversed. Jane was looked up to by her sister, who no longer assumed those airs of superiority, which, in the pride of her beauty and attractiveness, had come so natural to her. Elizabeth had ceased to be competed for by rival admirers; and she now discovered that the fleeting charms of her once beautiful person could not atone for the want of those more solid qualities which are indispensable in the house and the home. What made Jane's presence more valuable at this juncture was, that illness had come into the household, and, worst of all, it had seized upon the head of the family. This is always a serious calamity in any case; but in this case the consequences threatened to be more serious than usual. An extensive business was interrupted; large transactions, which only the head of the concern himself, could adequately attend to, produced embarrassments, the anxiety connected with which impeded a cure. All the resources of medicine were applied; all the comfort, warmth, silence, and attention that careful nursing could administer, were tried; and tried in vain. The husband of Elizabeth died, and her children were fatherless; but the fatherless are not forsaken—they are the care of God.

Now it was that the noble nature of aunt Jane came grandly into view. Her sister was stricken down—swallowed up in grief. Life, for her, had lost its charm. The world was as if left without its sun. She was utterly overwhelmed. Even the faces of her children served only to awaken her to a quicker sense of misery. But aunt Jane's energies were only awakened to renewed life and vigor. To these orphans she was now both father and mother in one. What woman can interfere in business matters without risk of censure? But Jane interfered: she exerted herself to wind up the affairs of the deceased; and she did so; she succeeded! There was but little left; only enough to live upon, and that meanly. Every thing was sold off—the grand house was broken up—and the family subsided into the ranks of the genteel poor. Elizabeth could not bear up under such a succession of shocks. She was not querulous, but her sorrows were too much for her, and she fed upon them—she petted them, and they became her masters. A few years passed, and the broken-down woman was laid in the same grave with her husband.

But Jane's courage never flagged. The gentle, dear, good creature, now advancing into years, looked all manner of difficulties courageously in the face; and she overcame them. They fled before her resolution. Alone she bore the burden of that family of sons and daughters not her own, but as dear to her now as if they were. What scheming and thought she daily exercised to make the ends meet—to give to each of them alike such an amount of school education as would enable them "to make their way in the world," as she used to say—can not be described. It would take a long chapter to detail the patient industry, the frugal care, the motherly help, and the watchful up-bringing with which she tended the helpless orphans. But her arduous labors were all more than repaid in the end.

It was my privilege to know this noble woman. I used occasionally to join the little family circle in an evening, round their crackling fire, and contribute my quota of wonderful stories to the listening group. Aunt Jane herself, was a capital story-teller; and it was her wont thus, of an evening, to entertain the youngsters after the chief part of the day's work was done. She would tell the boys—John and Edward—of those self-helping and perseverant great men who had climbed the difficult steeps of the world, and elevated themselves to the loftiest stations by their own energy, industry, and self-denial. The great and the good were her heroes, and she labored to form those young minds about her after the best and noblest models which biographic annals could furnish. "Without goodness," she would say—and her bright, speaking looks (plain though her features were), with her animated and glowing expression, on such occasions, made the lessons root themselves firmly in their young minds and hearts—"Without goodness, my dear children, greatness is naught—mere gilding and lacker; goodness is the real jewel in the casket; so never forget to make that your end and aim."

I, too, used to contribute my share toward those delightful evenings' entertainments, and aunt Jane would draw me on to tell the group of the adventures and life of our royal Alfred—of his struggles, his valor, his goodness, and his greatness; of the old contests of the Danes and the Saxons; of Harold, the last of the Saxon kings; of William the Norman, and the troublous times which followed the Conquest; and of the valorous life of our forefathers, out of which the living English character, habits, and institutions had at length been formed. And oftentimes the shadow would flit across those young faces, by the fire's light, when they were told of perilous adventures on the lone sea; of shipwrecked and cast-away sailors; of the escape of Drake, and the adventures of Cook, and of that never-ending source of wonderment and interest—the life and wanderings of Robinson Crusoe. And there was merriment and fun, too, mixed with the marvelous and the imaginative—stories of giants, and fairies, and Sleeping Beauties—at which their eyes would glance brightly in the beams of the glowing fire. Then, first one little face, and then another, would grow heavy and listless, and their little heads begin to nod; at which the aunt would hear, one by one, their little petitions to their "Father which art in Heaven," and with a soft kiss and murmured blessing, would then lay them in their little cribs, draw the curtains, and leave them to sleep.

But, as for the good aunt, bless you, nearly half of her work was yet to do! There she would sit, far on into the night, till her eyes were red and her cheeks feverish, with her weary white seam in her hand; or, at another time, she would be mending, patching, and eking out the clothes of the children just put to bed—for their wardrobe was scanty, and often very far gone. Yes! poor thing! she was ready to work her fingers to the bone for these dear fatherless young ones, breathing so softly in the next room, and whose muttered dreams would now and then disturb the deep stillness of the night; when she would listen, utter a heartfelt "bless them," and then go on with her work again. The presence of those children seemed only to remind her of the need of more toil for their sakes. For them did aunt Jane work by day, and work by night; for them did she ply the brilliant needle, which, save in those gloaming hours by the fireside, was scarcely ever out of her hand.

Sorrowful needle! What eyes have followed thee, strained themselves at thee, wept over thee! And what sorrow yet hangs about the glittering, polished, silver-eyed needle! What lives hang upon it! What toil and night-watching, what laughter and tears, what gossip and misery, what racking pains and weary moanings has it not witnessed! And, would you know the poetry it has inspired—then read poor Hood's terrible wail of "The Song of the Shirt!" The friend of the needy, the tool of the industrious, the helper of the starving, the companion of the desolate; such is that weakest of human instruments—the needle! It was all these to our aunt Jane!

I can not tell you the life-long endurance and courage of that woman; how she devoted herself to the cherishment and domestic training of the girls, and the intellectual and industrial education of the boys, and the correct moral culture of all the members of her "little family," as she styled them.