"See! mark that woman with the long dark hair—that is La Bretonville, the actress of the St. Martin."
"I have often seen her represent terror far more naturally," cried a fashionably-dressed man, as he stared at the victim through his opera-glass.
"Bah!" replied his friend, "she despises her audience, voila tout. Look, Henri, if that little girl beside her be not Lucille of the Pantheon."
"Parbleu! so it is. Why, they'll not leave a pirouette in the Grand Opera. Pauvre petite, what had you to do with politics?"
"Her little feet ought to have saved her head any day."
"See how grim that old lady beside her looks: I'd swear she is more shocked at the company she's thrown into, than the fate that awaits her. I never saw a glance of prouder disdain than she has just bestowed on poor Lucille."
"That's the old Marquise d'Estelles, the very essence of our old nobility. They used to talk of their mesalliance with the Bourbons as the first misfortune of their house."
"Pardie! they have lived to learn deeper sorrows."
I had by this time discovered her they were speaking of, whom I recognized at once as the old marquise of the chapel of St. Blois. My hands nearly gave up their grasp as I gazed on those features, which so often I had seen fixed in prayer, and which now—a thought paler, perhaps—wore the self-same calm expression. With what intense agony I peered into the mass, to see if the little girl, her grand-daughter, were with her; and, oh! the deep relief I felt as I saw nothing but strange faces on every side. It was terrible to feel, as my eyes ranged over that vast mass, where grief and despair, and heart-sinking terror were depicted, that I should experience a spirit of joy and thankfulness; and yet I did so, and with my lips I uttered my gratitude that she was spared! But I had not time for many reflections like this; already the terrible business of the day had begun, and the prisoners were now descending from the cart, ranging themselves, as their names were called, in a line below the scaffold. With a few exception, they took their places in all the calm of seeming indifference. Death had long familiarized itself to their minds in a thousand shapes. Day by day they had seen the vacant places left by those led out to die, and if their sorrows had not rendered them careless of life, the world itself had grown distasteful to them. In some cases a spirit of proud scorn was manifested to the very last; and, strange inconsistency of human nature! the very men whose licentiousness and frivolity first evoked the terrible storm of popular fury, were the first to display the most chivalrous courage in the terrible face of the guillotine. Beautiful women, too, in all the pride of their loveliness, met the inhuman stare of that mob undismayed. Nor were these traits without their fruits. This noble spirit—this triumphant victory of the well-born and the great—was a continual insult to the populace, who saw themselves defrauded of half their promised vengeance, and they learned that they might kill, but they could never humiliate them. In vain they dipped their hands in the red life-blood, and, holding up their dripping fingers, asked, "How did it differ from that of the canaille?" Their hearts gave the lie to the taunt for they witnessed instances of heroism from gray hairs and tender womanhood, that would have shamed the proudest deeds of their new-born chivalry!
"Charles Gregoire Courcelles!" shouted out a deep voice from the scaffold.