There is a decided tendency in fashion this season to depart from simplicity in dress, and to adopt the extreme ornamental elegance of the middle ages. Bonnets, dresses, and mantles are trimmed all over with puffings of net, lace, and flowers. A great change has taken place in the width of skirts, which, from being very large, are now worn almost narrow. Ball dresses à tablier (apron trimming, as seen in the erect figure on the left of the above group) are much in vogue, covered with puffings of net. The three flounces of lace, forming the trimming of the bottom of the dress, have all a puffing of net at the top of them; the whole being fastened to the apron with a rosette of ribbon. A precious gem is sometimes worn in the centre of the rosette, either diamond, emerald, or ruby, according to the color of the dress. Wreaths are worn very full, composed of flowers and fruits of every kind; they are placed on the forehead, and the branches at the end of them are long, and fall on the neck. Bouquets, in shape of bunches, are put high up on the body of the dress. Such is the mania in Paris and London for mixing fruits of every kind, that some even wear small apples, an ornament far less graceful than bunches of currants, grapes, and tendrils of the vine. The taste for massive ornaments is so decided, that roses and poppies of enormous dimensions are preferred. For young persons, wreaths of delicate flowers, lightly fastened, and falling upon the shoulders, are always the prettiest. Silks of light texture, in the styles which the French manufacturers designate chiné, will be generally employed for walking dresses until the extreme heat of summer arrives, when they will be superseded by French barèges, having flounces woven with borders, consisting of either satin stripes or flowers. Many of the patterns are in imitation of guipure lace. The most admired of the French light silks are those wrought upon a white ground, the colors including almost every hue. In some the ground is completely covered by rich arabesque patterns. These chinés, on account of the Oriental designs, have obtained the name of Persian silks. Worsted lace is the height of fashion for mantles, which are trimmed with quillings of this article, plaited in the old style. The dresses are made with several flounces, narrower than last year, and more numerous. Nearly all the sleeves of visiting dresses are Chinese, or "pagoda" fashion. The bodies are open in front, and laced down to the waist, as seen in the figure in the group, standing behind the sitting figure. Low dresses are made falling on the shoulders, and straight across the chest; others are quite square, and others are made in the shape of a heart before and behind. Opera polkas are worn short, with wide sleeves, trimmed with large bands of ermine.
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STRAW HATS FOR PROMENADE. |
STRAW BONNET. |
TULIP BONNET. |
THE LACE JACQUETTE.
Broad-brimmed straw hats are used for the promenade; open-work straw bonnets, of different colors, are adopted for the earlier summer wear, trimmed with branches of lilac, or something as appropriate. White drawn silk bonnets, covered with foldings of net, are much worn. Also, drawn lace and crape bonnets, and black and white lace ones, are worn. Branches of fruit are much worn upon these last-mentioned bonnets. The tulip bonnet is composed of white silk, covered with white spotted tulle; the edges of the front foliated, so as to give it a graceful and airy appearance. Many of the straw bonnets are of dark-colored ground, ornamented with fine open straw work. Crinoline hats, of open pattern, trimmed generally with a flower or feathers, are worn to the opera. They are exceedingly graceful in appearance, and make a fine accompaniment to a fancy dress.
Elegant black lace jackets, with loosely-hanging sleeves, are worn, and form a beautiful portion of the dress of a well-developed figure. There is a style of walking dress, worn by those who have less love for ornaments. The robe is of a beautiful light apple-green silk, figured with white. The skirt is unflounced, but ornamented up the front with a row of green and white fancy silk buttons. Bonnet of pink crape, drawn in very full bouillonnées; strings of pink satin ribbon, and on one side a drooping bouquet of small pink flowers. Corresponding bouquets in the inside trimming. Shawl of pink China crape, richly embroidered with white silk.
FOOTNOTES:
[1] The usual age for the ceremony among the wealthy India.