"Let her alone! Let her alone!" said Count Pisani to the attendant. "It is useless to contend with her. Poor girl! I fear she will never endure, to see dancing, or to hear music, without this violent agitation. Come hither, Costanza," said he, beckoning kindly to her. "Tell me what is the matter?"
"Oh, Albano! Albano!" shrieked the poor maniac. "They are going to kill Albano!"
And then, overcome by her emotion, she sank, exhausted, into the arms of her attendant, who carried her away.
Meanwhile, the sound of the violin had drawn together, from various parts of the garden, a number of patients, male and female, and the quadrille was formed. Among the most conspicuous figures in the group were the son of the Emperor of China, and the man who believed himself to be dead. The former wore on his head a splendid crown, made of gilt paper; and the latter, who was enveloped in a white sheet, stalked about with the grave and solemn air which he conceived to be common to a ghost. A melancholy madman, who evidently shared in the festivity with reluctance and regret, and who was, from time to time, urged on by his keepers, and a woman, who fancied herself to be Saint Catharine, and was subject to strange fits of ecstasy and improvisation, were also conspicuous among the dancers. Lucca, who played the violin with extraordinary spirit, every now and then marked the time by stamping his foot on the ground, while, in a stentorian voice, he called out the figures, to which, however, the dancers paid not the slightest attention. The scene was indescribable, it was like one of those fantastic visions which are sometimes conjured up in a dream.
As we were passing through the court-yard, on our way out, I espied Costanza, the young lady who had so determinedly refused to join in the dance. She was now kneeling down on the edge of a fountain, and intently gazing on her own countenance, which was reflected from the limpid water as from a mirror.
I asked the count what had caused the insanity of this interesting patient. "Alas!" replied he, "it is a melancholy story of romantic vendetta, which might almost figure in a work of fiction." Costanza's husband had been murdered on her bridal day by a rival.
When Costanza was first brought to the establishment, her madness was of a very violent character; but, by degrees it had softened down into a placid melancholy. Nevertheless, her case was one which admitted of no hope.
Some time after my visit to Palermo, I met Lucca in Paris. He was then, to all appearance, perfectly himself. He conversed very rationally, and even appeared to recollect having seen and conversed with me before. I inquired after poor Costanza; but he shook his head sorrowfully. The count's prediction was fully verified. Lucca had recovered his senses: but Costanza was still an inmate of the Casa dei Matti.