Fig. 2.—Bonnets.
Turkish Costume.
Bonnets continue to be made small and very open in front. Light silks are fashionable. These are covered by rows of white festooned ribbon, as seen in the second Illustration of Fig. 2. Others have white lace on the front, over the centre, and upon the crown and curtain; as seen in the other Illustration. Florence straw, gauze, tulle, crape, and crapelisse, are more fashionable and much more seasonable. Rice straw bonnets are very much in vogue this season. The general forms of bonnets have not much changed since our last report.
There appears to be a decided and growing tendency on the part of our countrywomen, to wear the trowsers. If properly done, we certainly can not object. For some time past indications of an invasion, by the ladies, of men's peculiar domain in dress, incited by the strong-minded Miss Webers of the day, have been tangible, but the frowns of Fashion have hitherto kept the revolutionists quiet, and ladies' dresses have every month been increasing in longitude, until train-bearers are becoming necessary. It is conceded by all that the dresses of prevailing immoderate length, sweeping the ground at every step, are among the silliest foibles of Fashion; expensive, inconvenient, and untidy. Recently, in several places, practical reformers, as bold as Joan d'Arc, have discarded the trailing skirts, and adopted the far more convenient, equally chaste, and more elegant dresses of Oriental women. Some ridicule them; others sneer contemptuously or laugh incredulously, and others commend them for their taste and courage. We are disposed to be placed in the latter category; and to show our good-will, we present, above, a sketch of Oriental Costume, as a model for our fair reformers. What can be more elegant and graceful, particularly for young ladies? The style is based upon good taste, and, if the ladies are in earnest, it must prevail. A crusty cynic at our elbow who never believed in progress in any thing, thinks so too; and has just whispered in our ear of woman, that
"If she will, she will, you may depend on't,
And if she won't, she won't—so there's an end on't."
FOOTNOTES:
[1] At that time a son of Mr. Lee was at school at St. Bees, in England. One day, as he was standing near one of the professors of the academy, who was conversing with a gentleman of the neighboring country, he heard the question asked, "What boy is this?" To which the professor replied, "He is the son of Richard Henry Lee, of America." The gentleman, upon hearing this, put his hand upon the boy's head, and remarked, "We shall yet see your father's head upon Tower Hill." The boy promptly answered, "You may have it when you can get it." That boy was the late Ludwell Lee, Esq., of Virginia.
[2] The history of this bell, now hanging in the steeple of the State House, in Philadelphia, is interesting. In 1753, a bell for that edifice was imported from England. On the first trial ringing, after its arrival, it was cracked. It was recast by Pass and Stow, of Philadelphia, in 1753, under the direction of Isaac Norris, the then Speaker of the Colonial Assembly. Upon fillets around its crown, cast there twenty-three years before the Continental Congress adopted the Declaration of Independence, are the words of Holy Writ, "Proclaim liberty throughout all the land unto all the inhabitants thereof." How prophetic! Beneath that very bell the representatives of the thirteen colonies "proclaimed liberty throughout all the land," and its iron tongue echoed the annunciation! For more than two hours its glorious melody floated clear and musical as the voice of an angel above the discordant chorus of booming cannon, rolling drums, and the mingled acclamations of an excited multitude. It, too, was fractured, and for long years its voice has been silent. When I stood in the belfry and sketched this portrait of the old herald, the spirit of the Past, with all its retinue, seemed to be there, for association summoned to the audience chamber of imagination, from the lofty hills and green valleys of the Republic, that band of patriots who stood sponsors at its baptism in 1776.
[3] This is in allusion to the line which Turgot wrote under the bust of Franklin: Eripuit cælo fulmen, sceptrumque tyrannis.