"This is my Paradise, Tiernay, only wanting an Eve to be perfect," said Latrobe, as he set me down beneath a spreading lime-tree. "Yonder are your English friends; there they stretch away for miles beyond that point. That's the Monte Creto, you may have heard of; and there's the Bochetta. In that valley, to the left, the Austrian outposts are stationed; and from those two heights closer to the shore, they are gracious enough to salute us every evening after sunset, and even prolong the attention sometimes the whole night through. Turn your eyes in this direction, and you'll see the 'cornice' road, that leads to La Belle France, but of which we see as much from this spot as we are ever like to do. So much for the geography of our position, and now to look after your breakfast. You have, of course, heard that we do not revel in superfluities. Never was the boasted excellence of our national cookery more severely tested, for we have successively descended from cows and sheep to goats, horses, donkeys, dogs, occasionally experimenting on hides and shoe leather, till we ended by regarding a rat as a rarity, and deeming a mouse a delicacy of the season. As for vegetables, there would not have been a flowering plant in all Genoa, if tulip and ranunculus roots had not been bitter as aloes. These seem very inhospitable confessions, but I make them the more freely since I am about to treat you 'en Gourmet.' Come in now, and acknowledge that juniper-bark isn't bad coffee, and that commissary bread is not to be thought of 'lightly.'"
In this fashion did my comrade invite me to a meal, which, even with this preface, was far more miserable and scanty than I looked for.
(TO BE CONTINUED.)
MORBID IMPULSES.
"Please, sir, it's seven o'clock, and here's your hot wa'ar." I half awoke, reflected moodily on the unhappy destiny of early risers; and finally, after many turns and grunts, having decided upon defying all engagements and duties, I fell asleep once more. In an instant I was seated in the pit of Her Majesty's Theatre, gazing upon the curtain, and, in common with a large and brilliant audience, anxiously awaiting its arising, and the appearance of Duprez. The curtain does rise; the orchestra are active; Duprez has bowed her thanks to an applauding concourse; and the opera is half concluded: when, just as the theatre is hushed into death-like silence for the great aria which is to test Duprez's capacity and power, a mad impulse seizes hold of me. I have an intense desire to yell. I feel as if my life and my eternal happiness depend upon my emulating a wild Indian, or a London 'coster' boy. I look round on the audience; I see their solemn faces; I note the swelling bosom of the cantatrice, the rapt anxiety of the leader, and the dread silence of the whole assembly, and I speculate on the surprise and confusion a loud war-whoop yell would create; and though I foresee an ignominious expulsion, perhaps broken limbs and disgraceful exposure in the public prints, I can not resist the strange impulse; and throwing myself back in my stall, I raise a wild cry, such as a circus clown gives when he vaults into the arena, and ties himself up into a knot by way of introduction. I had not under-calculated the confusion, but I had under-calculated the indignation. In an instant all eyes are upon me—from the little piccolo-player in the corner of the orchestra, to the diamonded duchess in the private box; cries of "Shame! turn him out!" salute me on all sides; my neighbors seize me by the collar, and call for the police; and in five minutes, ashamed, bruised, and wretched, I am ejected into the Haymarket, and on my way to Bow-street.
"Please, sir, it's nine o'clock now; and Mr. Biggs has been, sir; and he couldn't wait, sir; and he'll come again at two."
I sit up in bed, rub my eyes, and awake to consciousness of two facts—namely, that I have not kept a very particular engagement, and that I have had a strange dream. I soon forgot the former, but the latter remains with me for a long time very vividly. It was a dream, I know; but still it was so true to what might have occurred, that I half fancy I shall recognize myself among the police intelligence in my daily paper; and when I have read the "Times" throughout, and find it was indeed a dream, the subject still haunts me, and I sit for a long time musing upon those singular morbid desires and impulses which all men more or less experience.
What are they? Do they belong strictly to the domain of physics or of metaphysics? How nearly are they allied to insanity? May there not be a species of spiritual intoxication created by immaterial alcohol, producing, through the medium of the mind, the same bodily absurdities as your fluid alcohol produces through the directer agency of the body itself? How far can they be urged as extenuating or even defending misdemeanors and crimes? To guide me in my speculations, I run over a few cases that I can call to mind at once.
There is a general fact, that no sooner have you mounted to a great eminence, than a mysterious impulse urges you to cast yourself over into space, and perish. Nearly all people feel this; nearly all conquer it in this particular; but some do not: and there may be a great doubt as to whether all who have perished from the tops of the monuments have been truly suicides. Then, again, with water: when you see the clear river sleeping beneath—when you see the green waves dancing round the prow—when you hear and see the roaring fury of a cataract—do you not as surely feel a desire to leap into it, and be absorbed in oblivion? What is that impulse but a perpetual calenture?—or may not the theory of calentures be all false, and the results they are reported to cause be in reality the results of morbid impulses? I have sat on the deck of a steamer, and looked upon the waters as they chafed under the perpetual scourging of the paddles; and I have been compelled to bind myself to the vessel by a rope, to prevent a victory to the morbid impulses that have come upon me. Are not Ulysses and the Sirens merely a poetic statement of this common feeling?