NOTES ON THE NILE.
BY AN AMERICAN.
"Nile Notes, by an Howadji" (the Eastern name for traveler) is the title of a new book, by a young American, soon to be issued from the press of Messrs. Harper and Brothers. It is written with great vivacity, and will compare favorably with "Eōthen," or the best books of the day on the East. The following extracts will be found attractive.
THE MUSIC OF THE EAST.
While the Hadji Hamed fluttered about the deck, and the commander served his kara kooseh, the crew gathered around the bow and sang.
The stillness of early evening had spelled the river, nor was the strangeness dissolved by that singing. The men crouched in a circle upon the deck, and the reis, or captain, thrummed the tarabuka, or Arab drum, made of a fish-skin stretched upon a gourd. Raising their hands, the crew clapped them above their heads, in perfect time, not ringingly, but with a dead, dull thump of the palms—moving the whole arm to bring them together. They swung their heads from side to side, and one clanked a chain in unison. So did these people long before the Ibis nestled to this bank, long before there were Americans to listen.
For when Diana was divine, and thousands of men and women came floating down the Nile in barges to celebrate her festival, they sang and clapped, played the castanets and flute, stifling the voices of Arabian and Lybian echoes with a wild roar of revelry. They, too, sang a song that came to them from an unknown antiquity, Linus, their first and only song, the dirge of the son of the first king of Egypt.
This might have been that dirge that the crew sang in a mournful minor. Suddenly, one rose and led the song, in sharp, jagged sounds, formless as lightning. "He fills me the glass full, and gives me to drink," sang the leader, and the low-measured chorus throbbed after him, "Hummeleager malooshee." The sounds were not a tune, but a kind of measured recitative. It went on constantly faster and faster, exciting them, as the Shakers excite themselves, until a tall, gaunt Nubian rose in the moonlight and danced in the centre of the circle, like a gay ghoul among his fellows.
The dancing was monotonous, like the singing, a simple jerking of the muscles. He shook his arms from the elbows, like a Shaker, and raised himself alternately upon both feet. Often the leader repeated the song as a solo, then the voices died away, the ghoul crouched again, and the hollow throb of the tarabuka continued as an accompaniment to the distant singing of Nero's crew, that came in fitful gusts through the little grove of sharp, slim masts:
"If you meet my sweetheart,
Give her my respects."