"You mistake; on his heart I have no hold. But he has a friend who loves me, and honorably, and whose cause he pleads. I think here that I have some means to control or persuade him. If not—ah, he is of a character that perplexes me in all but his worldly ambition; and how can we foreigners influence him through that?"
"Is he poor, or is he extravagant?"
"Not extravagant, and not positively poor, but dependent."
"Then we have him," said the Count composedly. "If his assistance be worth buying, we can bid high for it. Sur mon âme, I never yet knew money fail with any man who was both worldly and dependent. I put him and myself in your hands."
Thus saying, the Count opened the door, and conducted his sister with formal politeness to her carriage. He then returned, reseated himself, and mused in silence. As he did so, the muscles of his countenance relaxed. The levity of the Frenchman fled from his visage, and in his eye, as it gazed abstractedly into space, there was that steady depth so remarkable in the old portraits of Florentine diplomatist, or Venetian oligarch. Thus seen, there was in that face, despite all its beauty, something that would have awed back even the fond gaze of love; something hard, collected, inscrutable, remorseless, but this change of countenance did not last long. Evidently, thought, though intense for the moment, was not habitual to the man. Evidently, he had lived the life which takes all things lightly—so he rose with a look of fatigue, shook and stretched himself, as if to cast off, or grow out of an unwelcome and irksome mood. An hour afterward, the Count of Peschiera was charming all eyes, and pleasing all ears, in the saloon of a high-born beauty, whose acquaintance he had made at Vienna, and whose charms, according to that old and never truth-speaking oracle, Polite Scandal, were now said to have attracted to London the brilliant foreigner.
CHAPTER III.
The Marchesa regained her house, which was in Curzon-street, and withdrew to her own room, to re-adjust her dress, and remove from her countenance all trace of the tears she had shed.
Half-an-hour afterward she was seated in her drawing-room, composed and calm; nor, seeing her then, could you have guessed that she was capable of so much emotion and so much weakness. In that stately exterior, in that quiet attitude, in that elaborate and finished elegance which comes alike from the arts of the toilet and the conventional repose of rank, you could see but the woman of the world and the great lady.
A knock at the door was heard, and in a few moments there entered a visitor, with the easy familiarity of intimate acquaintance—a young man, but with none of the bloom of youth. His hair, fine as a woman's, was thin and scanty, but it fell low over the forehead, and concealed that noblest of our human features. "A gentleman," says Apuleius, "ought, if he can, to wear his whole mind on his forehead."[15] The young visitor would never have committed so frank an imprudence. His cheek was pale, and in his step and his movements there was a languor that spoke of fatigued nerves or delicate health. But the light of the eye and the tone of the voice were those of a mental temperament controlling the bodily—vigorous and energetic. For the rest his general appearance was distinguished by a refinement alike intellectual and social. Once seen, you would not easily forget him. And the reader no doubt already recognizes Randal Leslie. His salutation, as I before said, was that of intimate familiarity; yet it was given and replied to with that unreserved openness which denotes the absence of a more tender sentiment.