A recent number of the official Moniteur contains a long report to the Minister of Public Instruction, by M. Vattemare, on the “literary exchanges” which have recently been effected between France and the United States. It is not, perhaps, generally known that the governments, universities, colleges, scientific societies, literary establishments, medical and legal bodies, borough municipalities, and commercial associations of the two countries, have for years past been in the habit of making exchanges of books. They have thus got rid of duplicate copies which were rotting on their shelves, and have received in return works which it would have cost vast sums to purchase. A more useful arrangement could not possibly be conceived; and at the same time it has the advantage of spreading knowledge, and of increasing the friendly relations between the two peoples.
M. Ch. Pieters has published the “Annales de l’Imprimerie Elzevirienne,” giving copious details on the life and exertions of the famous printers, the Elzevirs. This book is the result of very extensive researches on this subject, as there were fourteen members of that family who were printers and publishers during a period of 120 years. M. Pieters’s book contains quite new data obtained from authentic sources; to which he has added a list of all the works issued from the Elzevir presses, followed by one of those which have been erroneously attributed to them, and another of such as are the continuation of works published at that celebrated establishment.
The Paris papers state that the Free Society of Fine Arts in that capital are subscribing for a monument to the Late M. Daguerre—who was a member of their body—to be erected at Petit-Brie, where the distinguished artist lies buried.
Henry Heine, the German poet, whom his countrymen insist on comparing with Lord Byron, has published a collection of the poems of his later years, under the title of “Romances.” The book, which all the German papers concur in eulogizing, and a large edition of which was sold within a few days after its publication, is divided into three parts, Histories, Lamentations, and Hebrew Melodies. A brief prose notice prefixed announces that the skeptic has become a believer, and hurls defiance at the Hegelians refusing (to use his own words) “to herd swine with them any longer.” This celebrated poet, and perhaps the only man who has succeeded in uniting German solidity and grandeur to French elegance and wit, is now languishing on his death-bed. Recovery is impossible, and his state is such that death would be almost a blessing, though in him the world would lose one of the most remarkable geniuses of modern times. In the intervals between the paroxysms of his malady he composes verses, and (being deprived of the use of his limbs and of his eyesight) dictates them to his friends. He also occupies himself at times in inditing memoirs of his life, and as he has seen a good deal of French society, and was a shrewd and intelligent observer, he has much to say. One consequence of his long and lamentable sickness has been to effect a complete change in his religious views—the mocking Voltairian skeptic has become a devout believer.
We see it stated that in the short space of time between the Easter fair and the 30th of September there were published in Germany no less than 3860 new works, and there were on the latter date 1130 new works in the press. Nearly five thousand new works in one country of Europe in one half year! Of the 3860 works already published, more than half treat of various matters connected with science and its concerns. That is to say—descending to particulars—106 works treat of Protestant theology; 62 of Catholic theology; 36 of philosophy; 205 of history and biography; 102 of languages; 194 of natural sciences; 168 of military tactics; 108 of medicine; 169 of jurisprudence; 101 of politics; 184 of political economy; 83 of industry and commerce; 87 of agriculture and forest administration; 69 of public instruction; 92 of classical philology; 80 of living languages; 64 of the theory of music and the arts of design; 168 of the fine arts in general; 48 of popular writings; 28 of mixed sciences; and 18 of bibliography. It is satisfactory to see, after their recent comparative neglect, that science and the arts begin to resume their old sway over the German mind.