There being neither trees, nor shrubs, nor herbage of any sort, save the luxuriant mosses nourished by the eternal moisture, to break the long vista of the Flume, it presents a very novel appearance to the visitor issuing from the dense wood below, and catching a sudden and complete view of its steep, dripping walls, and rocky bed, terminating with the suspended boulder and the Cascade flashing underneath; while the tall hemlocks above the cliffs, shut out all save a small patch of blue sky. Ordinarily the stream is very low, and visitors can not only pick their way over rocks and logs to the foot of the Cascade, but can clamber over the granite ledges and pass under the suspended boulder that looks as if at any moment it might slip through upon them. This feat of passing under the rock is always a very damp one, though during the season, troops of damsels may be seen bravely accomplishing it, scornful of the rock above and the wet below—and doing it too without the confident freedom of the Bloomer dress! As the Flume is little penetrated by the sun's rays, the eternal moisture of its depths makes it advisable for those disposed to linger in them, to take abundant extra clothing; fur during the warmest summer-day, when an artist issues from its damp walls after a long siege of its curiosities with canvas and colors, he looks as if he were rehearsing the favorite circus-feat of throwing off multitudinous jackets and vests! By following up the ravine beyond the suspended rock, the visitor can ascend the cliffs overhanging the Flume; and if he or she have nerve enough, a large hemlock fallen across the chasm affords spacious footing whence a fine bird's-eye view of the ravine may be enjoyed. In winter and in spring the Flume is said to present a scene of fearful interest—now bearded with icicles, and anon, from melting snows, filled with a torrent of ice and fallen timber crashing in thunder through its jaws, to be launched more freely over the broad slope of the Cascade below. Until very recently this extraordinary ravine was wholly unknown, and it is to be regretted that we have no authentic chronicle of the gradual cutting of the Flume by the action of its stream; and also when and by what changes the suspended boulder has been caught in its present singular position.
VIEW ON THE PEMIGEWASSET.
We can not recross the Pemigewasset, on our return from the last great lion of the Franconia Mountains, without another notice of that exquisite mountain-stream. Though from its being so over-fished, it now holds out few inducements to enthusiasts in trouting, yet the prospect of having even "a glorious nibble," should tempt the angler to explore its beauties—its picturesque cascades, and deep, slumbrous pools above and below the bridge leading to the Flume. The accompanying sketch shows one of these numerous fairy nooks, overlooked by Mount Liberty—the fine peak directly opposite the Flume House.
This sketch of the attractions of the great Franconia Notch must not be closed without mention of the view from Mount Lafayette, considered by many far more interesting than that from Mount Washington; for, though less extensive than the latter, it embraces a far more picturesque and beautiful region lying distinctly under the eye. Hitherto this noble panorama has not been generally enjoyed, owing to the difficulty of its only mode of ascent—on foot. The coming season, however, will supply tourists with two bridle-roads, from the Lafayette House and the Flume House, at both of which well-kept hotels, every convenience in the way of horses and vehicles can always be had for the purpose of visiting the various curiosities scattered along this romantic defile. Throughout the five miles of the Franconia pass, there is not, excepting these two hotels at either end, a single human dwelling. The growing season is too short here to allow any thing to be raised on the patches of easy soil dotting the defile, that would, therefore, present, were it not for the public houses and the passing stage-coaches loaded with tourists, a scene of primeval nature and solitude. Would that its stupendous scenery were linked with mighty incident, and that its rare loveliness were clothed with the sacred vestment of traditionary lore! But alas! its magnificent grandeur and picturesque beauty, so fitted to figure in Indian romance or the settler's legend is sadly deficient in the hallowing charm of historic or poetic association!
[NAPOLEON BONAPARTE.][1]
BY JOHN S. C. ABBOTT.
MARENGO.
Napoleon, finding his proffers of peace rejected by England with contumely and scorn, and declined by Austria, now prepared, with his wonted energy, to repel the assaults of the allies. As he sat in his cabinet at the Tuileries, the thunders of their unrelenting onset came rolling in upon his ear from all the frontiers of France. The hostile fleets of England swept the channel, utterly annihilating the commerce of the Republic, landing regiments of armed emigrants upon her coasts, furnishing money and munitions of war to rouse the partisans of the Bourbons to civil conflict, and throwing balls and shells into every unprotected town. On the northern frontier, Marshal Kray, came thundering down, through the Black Forest, to the banks of the Rhine, with a mighty host of 150,000 men, like locust legions, to pour into all the northern provinces of France. Artillery of the heaviest calibre and a magnificent array of cavalry accompanied this apparently invincible army. In Italy, Melas, another Austrian marshal, with 140,000 men, aided by the whole force of the British navy, was rushing upon the eastern and southern borders of the Republic. The French troops, disheartened by defeat, had fled before their foes over the Alps, or were eating their horses and their boots in the cities where they were besieged. From almost every promontory on the coast of the Republic, washed by the Channel, or the Mediterranean, the eye could discern English frigates, black and threatening, holding all France in a state of blockade.