Crosby and Nichols, Boston, have republished Chronicles and Characters of the Stock Exchange, by John Francis, a work describing the progress of financial speculation in England, with great liveliness of delineation, and illustrated with a variety of personal incidents and scenes of the richest character. The volume is intended to give a popular narrative of the money power of England, in a manner at once interesting and suggestive, and it accomplishes its purpose with eminent success.
Wah-to-yah, and the Taos Trail, by Lewis W. Garrard published by H. W. Derby and Co., Cincinnati, is a record of wild adventures among the Indians, by a rollicking Western youth, who never misses the opportunity for a scene, and who tells his story with a gay saucy, good-natured audacity, which makes his book far more companionable than most volumes of graver pretensions. Commend us to young Garrard, whoever he may be, as a free and easy guide to the mysteries of life in the forest.
Poems by H. Ladd Spencer, published by Phillips, Sampson, and Co., Boston, are rather remarkable specimens of juvenile precocity, most of them having been written in the days of the author's earliest boyhood, and some of them during his twelfth year, and at a period little less remote. Their poetical merit must, of course, be inconsiderable, and they are not sufficiently curious to warrant publication.
D. Appleton and Co. have issued a novel entitled Heloise, or the Unrevealed Secret, by Talvi, the gifted authoress of The Sketch of the Slavic Language and Literature, which is entitled to special commendation among the recent productions of American literature. Without the machinery of a complicated plot, and in language that is almost sculpturesque in its chaste simplicity, it possesses an intense and unflagging interest, by its artistic delineation of character, its profound insight into the mysteries of passion, and the calm, delicate, spiritual beauty of its heroine. Its subtle conception of the nicest variations of feeling, is no less remarkable than its precision in the use of language, the work, for the most part, not only reading like the production of a native, but of one familiar with the most intimate resources of idiomatic English. A very few exceptions to this remark in some portions of the dialogue, whose naïveté atones for their inaccuracy, only present the general purity of the composition in a more striking light. We sincerely trust that the writer, who has been so happily distinguished in the field of literary research, will be induced, by the success of this volume, to continue her labors in the province of fictitious creation. Nothing is wanting to her assurance of an enviable fame in this department of letters.
The Initials is the title of an English novel, reprinted by A. Hart, Philadelphia, illustrative of German life and character, and in all respects of more interest than would be predicted from its ambiguous designation.
The Lorgnette, published by Stringer and Townsend, continues to make its appearance once a fortnight, and well sustains the reputation it has acquired, as a brilliant, searching, and good-humored satirical commentary on the many-colored phantasmagoria of the town. The name of the author is still a dead secret, in spite of numerous hints and winks among the knowing ones, and he is shrewd enough to prefer the prestige of concealment to the tickling of his vanity by publicity. The most noticeable feature in his work is its quiet, effective style of composition, which is utterly free from the pyrotechnic arts of so many current pretenders.
SUMMER FASHIONS.
Fig. 1. Promenade Dress.—For walking in public gardens, barège dresses, plain or figured, are generally adopted; but glacé, or damask bareges are the most recherchés. Dresses of shot silk form also charming toilets. The skirts are less full than those of last year—but, to compensate for it, they are trimmed with graduated flounces up to the waist—as many as five are worn, and they are pinked and stamped at the edges. The bodies are tight, and open in front; a cord connects the two sides of the corsage, and buttons, either of silk, colored stones, or steel, are placed on the centre of this cord. The sleeves are wider at the bottom than at the top, and are trimmed with two small flounces; from beneath them a large lace sleeve falls over the hand, leaving the lower part of the arm uncovered. This form of sleeve is very becoming to the hand.