THE BOOK.

BY KIRK MUNROE.

Although we are apt to speak of the "writing" or the "making" of a book, rather than of its "building," each of these is a distinct operation: and when a book, first written, then made, is finally ready for the reader, it has been built as truly as a house or a ship is built. It has demanded an equal amount of careful planning, skilled labor, and close attention to the thousand details that go to the making of a completed whole. In reading an interesting book how very little we think of this, or realize the amount of time and hard work expended in thus giving us a few hours of pleasure. Most people consider writing to be a very easy method of making a living, and nothing is more common in an author's experience than to have his friends express surprise when he speaks of going to his work.

"Work!" they exclaim. "Surely you do not call it work to occupy a pleasant room at home, and write for hours each day? That's more like play than work. If you want to know what real work is, come with us and see what we have to do."

So every one, except those who know, imagines book-writing to be so easy that most of those who desire to earn a livelihood without very hard work try their hands at it. The girl of brains and education thrown upon her own resources decides to become an author; and, after a desperate struggle, fails because she has no real experiences to draw from. The sea-captain who is too old to follow his chosen profession, but must still make a living, and is brimful of experience and adventures, decides to become an author. When he too meets with failure he blames everybody and everything except himself, and rarely discovers that the reason he cannot become a successful author at his time of life is because he has not been trained to the business, and does not know how to write.

Authorship, or book-writing, is a trade that must be learned the same as any other, and I believe that any boy or girl of average intelligence may be trained to successful authorship if only he or she is willing to work hard enough and long enough at the trade. Even imagination can be cultivated. Of course the literary apprentice must know how to apply the rules of grammar, must practise clearness and conciseness of style, must know how to use books of reference, must have what is known as a liberal education, and, above all, must be possessed of a genuine liking for his chosen calling. After leaving his school or college he should spend at least two years—and four would be better—as a reporter, a private secretary, an amanuensis to some skilled writer, or as assistant editor of some first-class publication that insists upon the use of grammatical English in its columns. During this apprenticeship he may try his hand at sketches, essays, or short stories, and must learn to accept calmly a dozen disappointments with each success.

When the author is ready to write a book his most difficult task is to select a subject that shall be interesting, timely, and not already overdone. It must be one that he can write about from his own experience, or from the experience of others. The latter may be gained from books or from the verbal accounts of those who have been through with what he desires to describe; but a book compiled from other books is apt to be dull and lifeless, while one dealing with a personal experience is almost certain to be interesting. "Mark Twain's" best books are those based upon his own life on the Mississippi, in Western mining camps, or while travelling abroad. The great charm of Miss Alcott's stories lay in the fact that she wrote of her every-day surroundings. The absorbing interest of Captain King's Cadet Days is due to the author's absolute knowledge, from personal experience, of the joys and sorrows, the trials and triumphs, of West Point life. Thus to be a successful writer of books one must have something to say, and must know how to say it. To these qualifications must be added tireless industry, boundless patience, and a determination to succeed in spite of all obstacles.

Let us suppose that our author decides to write a book for boys, and to make it a mining-story. But he has never been down in a mine, nor even seen one. He knows nothing about mines from personal experience. Under these circumstances it is clearly his duty to visit the nearest mining region, and remain there long enough to become familiar with its life, its scenery, and its incidents, before he attempts to describe them. From such a trip he returns to his workshop with a thorough knowledge of what he desires to write about. Before beginning the actual work of writing he must plan his book, decide how many chapters it is to contain, and what shall be their length; lay out, either on paper or in his mind, the general scheme of his story; select a name for his hero, and, if possible, decide upon a title; for it is better to fit a story to a title than to fit a title to a story.

In these preliminaries the author has invested a month or more of time, and has expended a certain amount of money. In other words, he has paid for the stock of goods upon which he hopes to realize a profit. Now he is ready to enter upon the building of his book.

As writing is among the most tiresome and exhausting forms of labor, it should never be allowed to occupy more than eight hours of each day, and the best results are reached in four or five hours, followed by a change of employment, recreation, out-of-door exercise, or complete rest for the remainder of the day. Every book should be written twice, the first draft being made on soft unglazed paper with a No. 2 pencil, while the second is a revised and punctuated copy, written in ink or type-written on sheets of a medium size. The neatness of a manuscript has much to do with its favorable reception at the hands of an editor or a publisher's reader. Some authors do not write at all, but dictate to a stenographer or an amanuensis; but this requires extra practice, and is generally so expensive a method that it can only be adopted by those who have an assured market for their work, or are not obliged to earn a livelihood.