Mother Goose and her children dance around the Christmas tree. Waltz music is played; they dance once around, when the curtain is drawn.

Tableau Eighth.—Mother Goose's children eating their Christmas supper. A long table covered with a white cloth, and decorated with lighted candelabra, flowers, bonbons, fancy cakes, china, silver, and cut glass. All the children are seated around, Mother Goose at the head, and to her right her son Jack, then Jack's wife, then a boy, then a girl, and so on around. Each child is in the act of eating, drinking, lifting a cup, a candy, or indicating some natural movement at a supper table; their heads should be turned as though they were in conversation.

Tableau Ninth.—Mother Goose and her family in a well-arranged group now stand and sing a jolly good-night song. This song may be acted by those on the stage, but the singing is done by an unseen chorus.

Follow this with two tableaux, opposite in meaning.

Tableau One.—The empty stocking. A poverty-stricken-looking room—bare floor, a hard wood chair and table (on the table stand a few pieces of cheap china), a window with a broken pane, in which a bunch of paper or canton matting is stuffed to keep out the snow; a small kerosene lamp, the light from which comes dimly. A poorly clad and as poorly fed appearing little girl; one of her thin hands rests on the table, while the other holds an empty stocking, on which the child sadly gazes.

Tableau Two.—Bless you honey-bugs! Yo' feels gay.

This also is a plainly furnished room, but it is trimmed with Christmas greens, a large star and tree being particularly conspicuous. There are several colored children running around, some dancing, with toys in one hand and a full stocking in the other, others taking things off a little tree, others again eating sugar plums, or striding across the bare door in eager pursuit of a dropped cornucopia or cinnamon cake. Their dusky-faced mammies, meanwhile, laugh at them through the half-open doorway.

And thus tableau might be described after tableau, but a few hints may be helpful.

Carefully study scenic effect. "How beautiful!" is so often the exclamation regarding a well-dressed stage, even before any person appears or one word is spoken. Remember to use harmonizing colors, and to throw on different-colored lights. The latter may cost a little money, but it will repay a hundredfold. A white light, changing to pink, again to yellow, rose, or green, as the scenery may require. In every way catch the eye.

Remember, the tableau is but for a minute; let that minute be perfection.