"Had you any particular advantages?"
"Yes; my brother was a doctor, and he let me use his microscope, and so I acquired a knowledge of the details of flowers and insects that escape the naked eye. I pulled flowers to pieces, but not in the spirit of destruction, but so that I might better understand their structure. When I was ten I had a long illness. When I was getting better, I was permitted to take an hour's or so turn in the garden. That hour I devoted to collecting insects and flowers. On my return to my room, what I had collected amused me until I could get out again next day or the day after."
"It was pleasure and study combined," I said.
"I was not conscious that I was studying. Then in my sick-room I began to draw and paint the insects. I think I was conscientious about it, and careful—perhaps minutely so. I tried to put on paper exactly what I saw, and nothing else. You say you like 'Professor Wriggler.' I drew him when I was ten or eleven, and I could not make him any more accurate to-day than I did thirty years ago."
"Were you encouraged at your work?" I inquired.
"Yes; once I was much pleased. I came across a curious insect. I could not find it in the books. I made a drawing of it and sent it to a professor of the Smithsonian, asking him to give me its scientific name. Back came by return mail my sketch, and under it the Latin name. The professor wrote me that if the people who were always annoying him with pictures of impossible bugs would only send him as accurate a picture as was mine, he never would have any more bother."
"Did you have any setbacks?"
"Yes; and I haven't forgotten it up to to-day. I was always collecting, and I had brought together every insect I had found in my neighborhood. As I took them home I pinned them in the drawers of an old-fashioned bureau. In time the whole of the drawers, bottom and sides, were full of pinned specimens, and there was room for no more. I had saved enough money to buy a cabinet, and I went to New York and purchased one. When I returned home the first thing I did was to look at my precious collection. When I opened a drawer there was a confused mass of wings only. One single wretch of a black ant had got in, and had passed the word to 10,000 other black ants. They had eaten the bodies of my insects in all the drawers. That quite broke my heart."
"But your writing. How did that come about?" I asked.
"I don't think that you can develop in one direction only. You must unbosom yourself. You are forced to tell or to write about the things you have most at heart. When I was a small boy I wrote a book for myself, and called it 'Botany on the Half-shell.' The first thing I ever wrote which was printed was an article for one of Messrs. Harper's publications, and I made the pictures for it. That was my début."