It is fortunate for the young King and for the country over which he is to rule that the important work of forming his character and educating his heart has fallen to a woman so admirably qualified for the task as the Queen Regent.
Born on the 21st of July, 1858, Maria Cristina is now in the early prime of life. Her appearance is distinguished and majestic; her manners are simple and amiable. She has a sound understanding and a cultivated mind, well stored with varied information. She is of a serious disposition, and is religious without bigotry, and good without affectation. During the lifetime of King Alfonso, her husband, she took no part whatever in politics, so that when she was called upon to assume the important responsibilities of the regency she was able to place herself above political parties, and to be the Queen of the nation. She has had the good fortune, in the midst of her personal grief—for the death of her husband, whom she loved devotedly, was a terrible blow to her—to win the good-will of the greater part of the Spanish people, and the respect of all by the wisdom and discretion with which, through her ministers and according to the constitution, she has governed the country. She is exceedingly charitable, and delights especially in relieving the wants of children; she gives large sums to children's aid societies. She educates at her own expense the children of public functionaries who have been left in poverty; she is constantly taking upon herself the care of orphaned children, and no mother ever asks her help in vain.
"Tail-piece." This title Hogarth, the celebrated English painter, gave to his last work. It is said that the idea for it was first started when, in the company of his friends, they sat around the table at his home. His guests had consumed all of the eatables and et cætera, and nothing remained but the empty plates and glasses. Hogarth, glancing over the table, sadly remarked, "My next undertaking shall be the end of all things." "If that is the case," replied one of his friends, "your business will be finished, for there will be an end of the painter." "There will be," answered Hogarth, sighing heavily.
The next day he started the picture, and he pushed ahead rapidly, seemingly in fear of being unable to complete it. Grouped in an ingenious manner, he painted the following list to represent the end of all things: a broken bottle; the but-end of an old musket; an old broom worn to the stump; a bow unstrung; a crown tumbled to pieces; towers in ruins; a cracked bell; the sign-post of an inn, called the "World's End," falling down; the moon in her wane; a gibbet falling, the body gone, and the chains which held it dropping down; the map of the globe burning; Phœbus and his horses lying dead in the clouds; a vessel wrecked; Time with his hour-glass and scythe broken; a tobacco-pipe with the last whiff of smoke going out; a play-book opened, with the exeunt omnes stamped in the corner; a statute of bankruptcy taken out against nature; and an empty purse.
Hogarth reviewed this work with a sad and troubled countenance. Alas! something lacks. Nothing is wanted but this, and taking up his palette, he broke it and the brushes, and then with his pencil sketched the remains. "Finis, 'tis done!" he cried. It is said that he never took up the palette again, and a month later died.
PRISCILLA.
Miles Standish was a fellow
Who understood quite well, oh,
In fighting with the redskins how to plan, plan, plan.
But I think him very silly
When he wished to woo Priscilla
To send another man, man, man.
For she said unto this other,
Whom she loved more than a brother,
"Why don't you speak, John Alden, for yourself, self, self?"
So of course John Alden tarried,
And the fair Priscilla married,
And they laid poor Captain Standish on the shelf, shelf, shelf.