But I suppose a Queen's curiosity is much like other people's. She must have a view of the evil spirit inside the instrument, which seemed to play so unwillingly, judging from the shrieks it gave out on being wound up. The poor organist protested he had "lost the key." But that was of no avail.

"Can not some one break it open?" asked the King. Royalty has a very persuasive way, so Jean was forced at last to open the box; and what do you think they found within? A poor trembling little lad, not six years old, who operated a set of keys inside, which his father had constructed for him. The whole instrument was planned with this performance in view, the lad's small size and wonderful musical talent making the deception possible.

It was plain that the little one was half fainting with the stifled air he had breathed so long; and ready hands reached out to help him, and kind voices soothed and comforted him. When he was refreshed, all wished to hear him play in fair sight, and the praising and petting and confections and gold coins showered upon him would have turned a wiser head. Defeat was turned into a grand victory.

His father now invented a comedy, in which little Louis acted an important part.

A company appeared seated about a table, with a big black-pudding before them. When the pudding was cut, a great outcry was heard within. Soon it began to roll about the plates, and at last out hopped a little pig. They chased it about awhile with skewers, and finally, just as it was caught, it changed into an imp, with horns and hoofs, and a sabre by its side. Of course the company were greatly frightened, and tumbled down on the stage, pell-mell, all in a heap. But one sad day a performer thrust too hard with his sharp skewer, and poor little Louis performed and played no more. They laid him away in the pleasant cemetery, and very soon a heartbroken little sister, who could not be comforted, was laid beside him.


SHOOTING THE WATER-SPOUT. IN THE SUEZ CANAL.

[Begun in No. 19 of Harper's Young People, March 9.]