Paul Grayson soon restored order, however, by his rendering of the "Psalm of Life." He had a fine voice, and he spoke the lines as if he meant them; so gloriously did his voice ring that even the boys in the dressing-room kept silence and listened, though they had heard the same verses a hundred times before.

PAUL AS A CHIEF'S SON.

Most of the performances that followed went very smoothly, although Benny Mallow, who played the Hatter's part in Box and Cox, caused some confusion by laughing frequently and unexpectedly, because Paul's disguise as Mrs. Bouncer affected him powerfully in spite of the efforts made by Sam Wardwell, as the Printer, to restrain him. The tableaux pleased the audience greatly; even that of "Prometheus," with Ned Johnston as the sufferer, and Mrs. Battle's big red rooster as the vulture, brought down the house.

But the great tableau of the evening was the teacher's "Civilization." When Paul Grayson had understood fully what the scene was to be, he refused so earnestly to have anything to do with it that the boys were startled. They did not excuse him from taking the part of the young Indian, however; they pleaded so steadily that at last Paul consented, but in worse temper than any one had ever seen him before. No one could complain of the manner in which he acted on the stage, however. When the curtain was drawn he was seen standing beside his dead mother, and shaking a fist at the soldiers; in color, dress, pose, and spirit he seemed to be a real Indian, if the audience was a competent judge; then, when the applause justified a recall, as it soon did, the drawn curtain disclosed Paul clinging to the wounded brave as if nothing should ever tear him away.

Napoleon Nott saw all this, although, as the Indian boy's mother, he was supposed to be dead beyond recall. Suddenly he felt himself to be inspired, and when the curtain was down he flew into the dressing-room and exclaimed, "I've got it!"

"Be careful not to hurt it," said Canning Forbes, sarcastically.

"I've got it!" declared Notty, without noticing Canning's cruel speech. "Grayson is an Indian, a chief's son. You don't suppose he could have made believe so well as all that, do you? That's it. I knew he was a great person of some sort. Sh—h! he's coming."

Somehow the boys who had been able to peep out at the tableau did not laugh at Notty this time. Paul, in his Indian dress, had greatly impressed them all before he left the dressing-room, and certainly his acting had been unlike anything the boys had seen other boys do. The subject was talked over in whispers, so that Paul should not hear, during the remainder of the evening, with the result that that very night at least six boys told other boys or their own parents, in the strictest confidence, of course, that there was more truth than make-believe about Paul Grayson as an Indian. And the parents told the same story to other parents, the boys told it to other boys, and within twenty-four hours Paul Grayson was a far more interesting mystery than before.

[to be continued.]