If Delancy had stayed a little longer at the scene of his crime, he would have learned that his premonition was founded in truth. The Black Hood was hard on Delancy's heels that night. Advance notice of the stick-up at the Weedham plant had sifted up through the underworld grapevine to come eventually to Black Hood's ears. It had been very scanty information and late in its arrival—too late to enable the master manhunter to block the plan. All that Black Hood had learned was that robbery of the Weedham factory had been planned, which wasn't anything very definite considering that the Weedham Industries occupied over fifty acres of ground.

When all hell broke loose at the south gate of the factory, Black Hood was actually at the north-west corner of the grounds. A cat could scarcely have seen him, lurking in the shadows, his tall figure shrouded in a black silk cape, his head and face hidden by his famous hood. But his position did give him one advantage over those actually at work in the factory buildings—he could distinguish the rattle of gun fire from the racket made by the stamping mill.

At the sound of the first shot, Black Hood had climbed to the top of the high wire fence to leap into the factory grounds. Lightning had seen him streaking through the open areas between buildings—a weird figure in yellow tights, night-black shorts and hooded mask, his cape whipping out from his broad shoulders. He might have been mistaken for a man from Mars or a devil out of Hell, yet beneath the grotesque garb beat a heart that was warm and human.

Black Hood knew what it was to be a policeman with hands bound by red tape or political intrigue. He knew what it was to be a criminal, to be hunted as Delancy was hunted. Once he had been a young cop, determined to work his way up in the police force. One of the most diabolical fiends of the underworld had framed this cop for a crime. The frame had stuck. In his efforts to clear himself, the young cop had taken half a dozen lead slugs from underworld guns into his body. He had been left on a lonely mountain road, apparently dead, later to be found by that wise, gray-whiskered man known as the Hermit.

It was the Hermit's vast store of scientific knowledge that brought the half-dead cop back to health. It was the Hermit who gave the ex-cop a body with the strength of steel and a mind that was a veritable encyclopedia of scientific knowledge. It was the Hermit who had sent the ex-cop back into the world to live a useful life, to strike back at the denizens of the underworld who had harmed him.

So the Black Hood was born to live in two identities. By day he was a pleasant, mild-mannered young man known as Kip Burland to Barbara Sutton, Joe Strong, and others of their set. But at night Kip Burland became the Black Hood, man of mystery, hunter of killers. Police who did not understand the unorthodox methods of the Black Hood suspected him of numerous crimes. The underworld that feared him wanted him dead. He was the hunter hunted.

Once the secret of his dual identity became known, he knew that he faced either death from the hands of criminals or prison from the hands of police. Barbara Sutton, who merely tolerated Kip Burland, was deeply in love with the Black Hood, yet even Barbara did not know that Kip and the Black Hood were one and the same person.

Black Hood was not the only person at the Weedham plant who had heard the gun fire at the south gate. Joe Strong, newly appointed cameraman on Jeff Weedham's newspaper, had been standing at one of the doors of the stamping mill, smoking a cigarette when the hold-up had taken place. However, it required a few seconds for his dull brain to comprehend just what was taking place and from what direction the shots had come.

Joe Strong had been trying to develop a nose for news. When he finally realized what was going on at the south gate, he decided that here was a chance for some swell pictures that would prove to Jeff Weedham and Barbara Sutton that he was a natural born news hound. He ran from the stamping mill, his camera bobbing from the strap around his neck and his tripod dragging behind him. He had heard that a crack news photographer could adjust a camera on the run and he figured that he could do that and also mount the camera on the tripod at the same time.

It was a very good idea except that like most of the ideas that sprouted slowly from Joe's brain, it didn't work. He was within fifteen yards of the scene of the crime when he tripped over one leg of his tripod and fell flat on his face.