It was a very nice set-up. The property line of the building where Engel lived was set back several feet further than that of the old-fashioned private homes between it and Broadway. They would serve as a screen for his movements from one direction when he hit into that delivery alleyway after fixing Louis the Goon's wagon once and for all, Lamb realized. It was almost ridiculously simple.
Why he could almost have chalked an "X" right there and then on the sidewalk where little Louis would lie down and forget it all. Wilson Lamb hummed as he headed up toward Broadway and decided to have dinner. He had a swell appetite. He was humming snatches from something. Minor key, descending scale. It went "Come to Papa, come to Papa, come to Papa." He didn't know whether it was from a song or a crap game. Anyway, the dice were sure loaded against a certain party he knew.
Down the block, a taxi that had been parked with meter ticking across from Engel's apartment-hotel drew away slowly.
He went to the movies with Louis the Goon that evening. Louis didn't know anything about it and Lamb bought his own ticket. That too had been extremely simple. After dinner, he had phoned Engel. When Louis himself answered, Lamb had asked for Toots. Louis said they had no Toots there and Lamb said he was very sorry, that he must have got the wrong number. And Louis said that was all right, no harm done. And Lamb said he was sorry he had disturbed him and Louis said to think nothing of it, no trouble at all. And Lamb said a four-letter word after he had hung up and laughed out loud in the phone booth.
Then he hung around and saw Louis come out after dinner. Ede was with him this time. Ede was the type after which some department store advertising-department diplomat had coined the term "stylish stout." Ede toddled and she was pretty hefty. If there was a family argument, Lamb would have laid two to one she would have come home in front by a t.k.o. before the fifth round.
They went into the movies on the north-west corner of 96th. The closest Lamb could get was some three rows back. He was disappointed because he could not watch Engel's face. It was a double feature. Pampas Nights was one of those alleged South American musicals whipped up by a couple of submorons with the intent purpose of sabotaging the Good Neighbor policy. The other picture was some ghoulish thing about a mad surgeon, described in the script as an "ego-maniac," who had a pleasant pastime of revivifying electrocuted felons. That one gave Lamb a pain in the pants too. He had really made a study of ego-maniacs.
He got out in the foyer right behind the Engels. He heard Ede say she thought the one about that "nutty doc" was so thrilling. Louis the Goon did not agree. He liked those musicals.
"They take my mind off business," he said.
Lamb left them and went in and had a drink. He had two drinks. Now that everything was settled, he felt no impatience. It was all lined up right down to the final curtain. Louis' final curtain. Lamb had already decided he would give it to him as he came plodding his smug little way home some evening. Any evening. Maybe tomorrow evening. Now that the details were ironed out, it was fun to leave the closing date open. He could play the fly-on-the-wall in Louis the Goon's life as long as he wanted. And when he got bored with Louis's act—bop! he would deliver his compact little package to Louis....