"With many thanks for your zeal and intelligence, and hoping that we may contrive, somehow or other, one day or other to make a hit together, I am yours, etc."

On November 19, 1861, he wrote, "Now for your book. Trübner is fair-dealing, but powerless as a publisher. All the pushing is done by me. I have had a long and hard fight to get the public here to buy a novel published by him, and could hardly recommend another to go through it. If done on commission and by Trübner, I could take it under my wing in the advertisements.

"Next week I expect to plead the great case of Reade v. Conquest" (manager of the Grecian Theatre, London) "in the Court of Common Pleas. If I win, I shall bring out my drama 'Never Too Late to Mend' and send it out to you to deal with. Please collect Yankee critiques (on 'The Cloister and the Hearth') for me; the more the better."

On November 1, 1861, he wrote, "I send you 'Saunders & Otley's Monthly,' containing an elaborate review of 'The Cloister,' etc. I don't know the writer, but he seems to be no fool. I do hope, my dear fellow, you will watch the printers closely, and so get me some money, for I am weighed down by law-expenses,—Reade v. Bentley, Reade v. Lacy, Reade v. Conquest,—all in defence of my own. And don't trust the play above twenty-four hours out of your own hand. Theatricals are awful liars and thieves. I co-operate by writing to Ticknors and H—— not to pirate you if they wish to remain on business terms with me. Second edition all but gone; third goes to press Monday. Everybody says it is my best book."

On the next day he wrote, "I am a careful man, and counted every page I sent you, and sealed and posted them with my own hand. I am quite satisfied with the agreement with Rudd & Carleton, if there is to be no false printer's return. The only thing that makes me a little uneasy is your apparent confidence that they could not cheat us out of twenty thousand dollars by this means if extraordinary vigilance were not used. They can, and will, with as little remorse as a Newgate thief would, unless singular precautions are used. If I was there I would have a secret agent in the printing-house to note each order, its date and amount, in writing. The plates being yours, you have, in fact, a legal right to inspect the printer's books. But this is valueless. The printer would cook his books to please the publisher. You can have no conception of the villany done under all these sharing agreements. But forewarned forearmed. Think of some way of baffling this invariable fraud. Ask a knowing printer some way. Do anything but underrate the danger.

"The importance of the work not being the least foreseen, I believe Rudd & Carleton have 'The Cloister' all to themselves.... Every American who has seen Ticknors' returns assures me they are false, and ridiculously so. It goes against my heart to believe it, but everybody is seldom wrong. My opinion is they will all make a false return if they can. Verbum sap. And now, my dear boy, let me thank you for all the trouble you have taken in this complicated affair, and assure you that if I am anxious for a just return it is partly in order that I may be in a position to take care of you. For I am sure if I don't nobody else will.

"'Nobs and Snobs,' a play, has gone out in Low's parcel. If the managers will be quick, you can make this copyright by not calling it 'Honor before Titles'" (the sub-title under which it had been copyrighted in England). "Then, to bind the thing together, I write a different conclusion to the second act, and send it you enclosed. It is hasty, but it will do; and if you can get Jem Wallack to play Pierre, he will do wonders with the change from drunkenness to sobriety and then to incipient madness. The only stage directions required will occur at once to you. Drop should fall on Pierre with a ghastly look, like a man turned to stone, between the two females. I now close, wishing us both success in this attempt to open new veins of ore. I have other plays in manuscript, and one in progress."

On November 9 he wrote under a misapprehension of the terms of an agreement about which I had written to him, and evinced his usual anxiety and impatience when anything seemed to go wrong. If, said he, this and that happens, "Rudd & Carleton can swindle us out of every dollar. I confess this stipulation terrifies me. If you have not done so, for God's sake draw a written agreement in these terms. I shall pass a period of great anxiety until I hear from you. But, for heaven's sake, a written agreement, or you will never get one halfpenny. These fears seem ungracious, after all the trouble you have taken. But it is a most dangerous situation, and not to be remained in a day or an hour. Draw on Rudd & Carleton as soon as ever you can."

On the 9th of December following he had heard from me again, and found he was mistaken. He wrote, "I am in receipt of your last, which is very encouraging. You were quite right to do as you did. Give Rudd & Carleton no loop-hole. They will soon owe us a good round sum, and will writhe like Proteus to escape paying it."

On January 17, 1862, he wrote, "It puts me in some little doubt whether to take your book 'Pilgrims of Fashion' to Trübner or Low. Low will sell more copies if he tries, but he will charge more percentage, and I shall not be able to creep you in among my own advertisements. However, you give me discretion, and I shall look to your advantage as well as I can. To-day I had to argue the great case of Reade v. Conquest. I argued it in person. Judgment is deferred. The court raised no grave objections to my reasoning, but many to the conclusions of defendant's counsel: so it looks pretty well.