Miss King utters a woeful "Ah!" which her sister endeavors to smother in some kind inquiry.
When Hyacinthe has been shown to her room by the sober housemaid, the two old ladies discuss the situation in full, and Miss Juliet's gentleness so far prevails over Miss King's frigid despair as to wring from the latter a tardy promise to let the young niece pursue the frightful tenor of her way, at least for a time.
A week after her arrival in London, the girl, having informed herself with a marvellous quickness of intelligence on various practical points, calmly laid her plans before her aunts, the elder of whom listened in frigid silence, the younger with assurances of assistance and counsel. She then proceeded to put her projects into action with a curious matter-of-factness that, considering the purely ideal nature of her aim, is to be accounted for in no other way than by the recollection of her parentage—the Greek soul and the British brain.
On a Wednesday morning Hyacinthe and Miss Juliet repaired to the studio of a great sculptor: the niece had previously written to him stating her desire, and the aunt, nervous and excited, clung to the girl's firm arm in a kind of terror.
"You wish to know if you have a talent for my art?" he asked kindly, looking into the pallid young face with its earnest uplifted look. "I think that had you the least gift that way, having lived in Rome, you would know it without my assistance. However, here is a bit of clay: we shall soon see. Try what your fingers can make of it—if a cup like this one." He turned off, but watched her, nevertheless, with fixed curiosity as she handled the lump of damp earth.
Hyacinthe could make nothing of it save twist it from one shapeless mass into another.
"I had hoped it would be sculpture," she said a bit regretfully as she left the great man's workroom. "In my dream he was a statue."
On Thursday the two went to the atelier of a renowned painter. He too bent curious interested eyes upon the absorbed and searching face of his strange applicant as he placed pencils, canvas and brushes before her, and directed her to look for a model to the simple vase that stood opposite or to the bust of Clyte that was beside her. But Hyacinthe had no power over these things, and the two turned their faces back toward the small house in Craven street.
On Friday they sought out a celebrated musician, but the long, supple hands—veritable "piano-hands" he noted from the first—availed the girl in no way here. The maestro said she "might spend years in study, but the soul was not attuned to it."
When Saturday came they went to a famous teacher for the voice. But, alas! Hyacinthe, he said frankly, had "no divine possibilities shrined in her mellow tones." Perhaps she was a little, just a little, disheartened on Saturday night. If so, none knew it.