"Enta sabir el arbi?"—"Knowest thou Arabic?" asks our host.
"Makach"—"No," we reply. "Enta sabir el Ingles?"—"Canst thou speak English?"
"Makach"—"Nay," answers the beautiful old sage, after which conversation naturally languishes.
OURIDA, THE LITTLE ROSE.
But the next morning, after the richest and most assiduous entertainment, we see the little daughter of the amin playing in the court, attended by a negress. The child-language is much the same in all nations, and in five minutes, in this land of the Barbarians, on this terrible rock, we are pleasing the infant with wiles learnt to please little English-speaking rogues across the Atlantic.
The amin's daughter, a child of six years, forms with her slave a perfect contrast. She is rosy and white, her mouth is laughing, her peeping eyes are laughing too. What strikes us particularly is the European air that she has, with her square chin, broad forehead, robust neck and sturdy body. A glance at her father by daylight reveals the same familiar type. Take away his Arab vestments, and he would almost pass for a brother of Heinrich Heine. His child might play among the towers of the Rhine or on the banks of the Moselle, and not seem to be outside her native country. We have here, in a strong presentment, the types which seem to connect some particular tribes of the Kabyles with the Vandal invaders, who, becoming too much enervated in a tropical climate to preserve their warlike fame or to care for retiring, amalgamated with the natives. The inhabitants on the slopes of the Djordjora, reasonably supposed to have descended from the warriors of Genseric, build houses which amaze the traveler by their utter unlikeness to Moorish edifices and their resemblance to European structures. They make bornouses which sell all over Algeria, Morocco, Tunis and Tripoli, and have factories like those of the Pisans in the Middle Ages.
KABYLE SHOWING GERMANIC ORIGIN.
Contrast the square and stolid Kabyle head shown in the engraving on this page with the type of the Algerian Arab on page 494. The more we study them, or even rigidly compare our Arab with the amin of Kalaa, the more distinction we shall see between the Bedouin and either of his Kabyle compatriots. The amin, although rigged out as a perfect Arab, reveals the square jaw, the firm and large-cut mouth, the breadth about the temples, of the Germanic tribes: it is a head of much distinction, but it shows a large remnant of the purely animal force which entered into the strength of the Vandals and distinguished the Germans of Cæsar's day. As for the Kabyle of more vulgar position, take away his haik and his bornouse, trim the points of his beard, and we have a perfect German head. Beside these we set a representative Arab head, sketched in the streets of Algiers. See the feline characteristics, the pointed, drooping moustache and chin-tuft, the extreme retrocession of the nostrils, the thin, weak and cruel mouth, the retreating forehead, the filmed eye, the ennui, the terrestrial detachment, of the Arab. He is a dandy, a creature of alternate flash and dejection, a wearer of ornaments, a man proud of his striped hood and ornamental agraffes. The Kabyle, of sturdier stuff, hands his ragged garment to his son like a tattered flag, bidding him cherish and be proud of the rents made by Roumi bayonets.