Oh Dear! I meant to be very early, people do look so cross when you squeeze by them. I don't think it is exactly proper, either, when they are men. Here is my seat, No. 10: that girl has piled all her waterproofs on it. Why don't she take them away quicker? and I wish she wouldn't grope about my feet for her overshoes.
I never sat right next to the orchestra before. What a convenient railing to hang my umbrella on! Provoking it should rain so to-day. There now! my waterproof is all disposed of, and I know my dress is all right, so I shall enjoy myself.
What a ridiculous girl beside me! Such a bunch of curls! The two young men on the other side look like gentlemen: the one this way especially nice—lovely eyes and moustache. I'll look round the house as far as I can without moving. Can't see much, though, for I'm so near the front. Why on earth didn't brother Bob put me where I could see the people?
Why, there's Lucy Morris! I can't bear that girl: her hair is almost the color of mine. A vacant seat beside her, too; so she came with some one. Wonder who it is? I hope she won't see me.
Oh, how funny! The musicians come up out of a hole just like the tame rats at the Museum, nasty things!—the rats, I mean. The man right in front of me has a trombone. I know what it is, because the name is written on his music. I'm so glad, for I never knew exactly what a trombone was until now. And what a funny instrument! He doesn't blow at all for ever so long, and then suddenly comes in with two or three toots.
But, good gracious! there's Dick Livingstone! I saw him come in at that door. I'm so glad I came! He asked me night before last at Mrs. Harris's if I was coming to the matinée, and of course I said "Yes," though I didn't have the slightest idea of doing so until he spoke. But what—! He has taken the seat by that Lucy Morris, and has given her a programme. I hate that girl!
There goes the curtain. What a stupid play! Why did I come? The damp will ruin my dress. Oh, that horrid girl! Well, of all the ridiculous acting I ever saw, this is the worst! I should think they would be ashamed to put such people on the stage. He is opening her fan. A fan to-day! absurd! I won't look again. How that man rants! I'm sure I don't know why I came: I might have known how poor it would be. Even I can see that Leicester and Mortimer have dresses at least a hundred years apart. I wonder if their legs are stuffed? Oh dear! that's hardly proper. What Dick can see to admire in that girl is beyond my comprehension. Such airs and graces!—all put on; and how she makes eyes at him! I can feel it behind my back.
How absurdly Queen Elizabeth is dressed! and what a fright she is! And I wore my new hat, too: he said he liked blue so much. I could just cry, I am so provoked. It's all her fault, I know. Oh! the play! Yes, Dudley is making love. Ridiculous! There, the curtain's down at last, and—what—! Dick is getting up: he looks as if he were saying good-bye. There's Lucy's uncle: he sits down beside her—he must have brought her. Oh, what a relief! After all, it was very natural for Dick to take the vacant seat, he is so thoughtful always. Lucy can talk pretty well sometimes, too. If she only had some idea of dress! There! I'm sure Dick saw me, but of course I shall take no notice.
Upon my word, the young man next me is admiring the girl's hair on the other side of me. It's hideous—red as a carrot, and stuck on at that. Thank Goodness! my hair hasn't a tinge of red in it—pure blonde cendré—but I have to pay awfully to match it. Wish I could tell that young fellow her hair is all stuck on. Hark! the nice one says,
"Why, it is all her own—I see it growing" "S-s-s-h!" says the other: "she'll hear you." "Loveliest hair I ever saw," continues No. 1: "pure gold, not a tinge of red—" It's my hair they are discussing. What a nice fellow he is! I'll just turn a little away, so he can study that curl which really does grow out of my head. It is worth all the trouble it gives me, for it makes the others seem so natural. I declare, he is looking right at me: suppose he should speak? I should die! Nonsense! he is bowing to a lady in the dress-circle. I know he'd like to do something for me. Brother Bob says girls can't be too careful. I might drop something. Not my handkerchief—that would be improper—but my opera-glass case: nothing could be said against that. Oh my! I haven't used my glasses yet, I'm so near the stage. I'll look round the house; so here goes. "Thank you, sir," with my sweetest smile and such a nice flutter. I saw him nudge his friend.